Hermitage ~ part 12 – Troyes, Jean-François de. Apollo and Daphne
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Картину на этот сюжет обязаны иметь все женщины, питающее отвращение к браку!
You cannot comment Why?
The woman, positioned slightly higher than the pursuing man, exhibits a posture of desperate resistance. Her arms are raised, one hand grasping at foliage as if seeking purchase to escape. A look of anguish and surprise is evident in her expression. The transformation underway is subtly indicated: leaves begin to sprout from her fingertips, a visual cue suggesting an imminent metamorphosis.
Below them, several additional figures lie prostrate on the ground, their bodies partially submerged in water. Their postures convey a sense of helplessness or perhaps observation, contributing to the overall atmosphere of heightened drama and emotional intensity. The arrangement suggests they are witnesses to the unfolding event.
The background is characterized by a lush, dark forest rendered with considerable detail. A break in the trees reveals a distant landscape bathed in light, providing a visual contrast to the shadowed foreground. This spatial recession enhances the sense of depth within the scene.
Subtly embedded within the narrative are themes of desire, pursuit, and ultimately, loss. The man’s relentless chase underscores an unfulfilled longing, while the womans transformation speaks to the power of divine intervention and the impossibility of certain unions. The prostrate figures introduce a layer of voyeurism or perhaps represent the consequences of unchecked ambition. The overall effect is one of poignant tragedy, conveyed through dynamic composition and expressive figuration.