Self-portrait in the mirror Konstantin Andreevich Somov (1869-1939)

This painting is a still life that includes items arranged on a dresser or vanity, with a significant element of a self-portrait reflected in a mirror.

What I see:

Dominating the foreground is a bouquet of roses in a glass vase, appearing somewhat wilted and dark in color, suggesting ripeness or perhaps decay. To the left and center, several glass perfume bottles of various shapes and sizes are arranged, some filled with amber-colored liquid. Behind them, and to the left, a blurred reflection of what appears to be outdoor greenery or dappled sunlight is visible in the mirror.

The central focus of the painting is the dark, wooden framed mirror. In its reflection, we see a man, presumably the artist, in profile. He has graying hair and is smoking a cigarette. His gaze is directed slightly downwards, and his expression is introspective or perhaps weary.

On the dresser, in front of the mirror, are other personal effects. A tie, folded and showing a dotted pattern, lies alongside a handkerchief or scarf. To the right of the mirror, a small hand mirror, an umbrella, and a candlestick with a lit candle are visible. The background is textured and somewhat abstract, with hints of color suggesting walls or draped fabric.

Subtexts:

• Mortality and the Passage of Time: The wilting roses, the smoking cigarette, and the reflection of an aging man all point to themes of the ephemeral nature of life, the passage of time, and aging. The lit candle, a traditional symbol of lifes flame, also contributes to this notion of times relentless march.
• Introspection and Self-Reflection: The self-portrait in the mirror is a direct act of looking inward. The artist is observing himself, perhaps contemplating his own existence, his role in the world, or his legacy. The introspective gaze suggests a deep personal reflection.
• Vanity and Personal Adornment: The presence of perfume bottles, a tie, and a handkerchief, items associated with personal appearance and grooming, juxtaposed with the aging self-portrait, could be a commentary on vanity, the desire to present oneself well in the face of time, or the rituals of daily life.
• The Artists Presence and Absence: The painting cleverly blends the artists physical presence (implied by the surrounding objects) with his reflective presence in the mirror. This creates a sense of both him being there and being detached, observing himself from a distance.
• The Ephemeral Nature of Beauty: The contrast between the vibrant beauty of the roses and their wilting state, and the aging face in the mirror, highlights the transient nature of physical beauty.
• Ambience and Atmosphere: The lighting is somber and adds to a contemplative mood. The objects, while personal, also evoke a sense of a lived-in space, suggesting a private moment captured.