EXHIBITION “MODERN ICONWORK IMAGE” Automatic translate

OCTOBER 29 TO NOVEMBER 7, 2014

The overview exhibition presents works of church fine art by modern icon-painters, icon-painting workshops and schools working in various styles, art and technical and technological areas.

In the exhibition hall of the Moscow Academic Art Lyceum of the Russian Academy of Arts, the exhibition "Modern Icon-Painting Image" opens. The exhibition is dedicated to the 1st All-Russian Scientific and Practical Conference on Christian Art. The subject of the exhibition is devoted to the work of modern icon painters, their view on the creation of an icon painting image, the choice of technologies and materials for their work. A wide range of technologies used today and an active search for a new icon-painting image, through the rethinking of the experience gained by Russian icon painters at the turn of the XX-XXI centuries. makes modern icon painting especially interesting and significant. The exhibition is aimed at a wide range of visitors and attracts the attention of specialists in the field of ancient Russian and church art, the scientific and restoration community, and believers and all who are close to Christian art.

Exhibition opening: October 29 at 16.00

Organizers of the exhibition: Moscow Academic Lyceum of the Russian Academy of Fine Arts, Moscow icon painting center “RUSSIAN ICON”

Venue of the exhibition and conference: Moscow, st. Krymsky Val, 8, bld. 2, Moscow Academic Art Lyceum, entrance to the exhibition building on the 4th floor.

1st All-Russian Scientific and Practical Conference on Christian Art

“CURRENT ISSUES OF FORMATION OF CONTEMPORARY LITERARY ART.”

"BINDERS IN ICON RECORDS" (PERSPECTIVE TECHNIQUES AND TECHNOLOGIES IN ICON RECORDS)

OCTOBER 31 12:00

ROUND TABLE “Issues of the formation of modern church art and the most common binders in modern icon painting practice”

The spiritual formation of the icon-painting image and its perception by modern man. Archimandrite Luka (Golovkov) Head of the Icon Painting School of the Moscow Theological Academy, Associate Professor, Trinity-Sergius Lavra

A review of the history of church art of the new time of the XX-XXI centuries. Art critic Irina Yazykova Candidate of Cultural Studies, Head. Department of Christian Culture of the Bible-Theological Institute of St. Apostle Andrew, teacher of the Kolomenskoy Theological Seminary

Revival in the XX century. icon painting school in the Trinity-Sergius Lavra by Palekh icon painters-educators. Icon painter Lyudmila Armeeva, Icon painting school of the Moscow Theological Academy, Trinity Lavra of St. Sergius

An overview of the history of binders in icon painting. Part 1 “Types of egg binders” Restorer of the highest category Yuri Kuks, professor of the department of technical and technological research of painting at the Academy of Sculpture and Architecture Painting of Ilya Glazunov, Moscow

All-egg tempera. Icon painter-restorer Dmitry Mironenko Ph.D., head of the icon-restoration workshop at the Alexander Nevsky Lavra, St. Petersburg

MASTER CLASSES "Egg binders"

All-egg tempera. Icon painter-restorer Dmitry Mironenko Ph.D., head of the icon-restoration workshop at the Alexander Nevsky Lavra, St. Petersburg

Yolk tempera. Icon painter Alexander Chashkin, member of the Moscow Artists Union, academician of the Russian Academy of Sciences, academician of the humanities department of the Russian and European Academy of Natural Sciences Gogver, Moscow

Yolk tempera. Icon painter Mikhail Lemeshevsky and Natalya Karavaeva Icon painting school of the Moscow Theological Academy, Trinity Lavra of St. Sergius

Yolk tempera. Icon painter Maria Zhdanova, head of the Trifonov icon painting school, member of the Union of Artists at UNESCO, Moscow

NOVEMBER 1 12:00

ROUND TABLE “Rare techniques and technologies in icon painting”

An overview of the history of binders in icon painting. Part 2 “Glue, wax, oil, resin, gums and other binders.” Restorer of the highest category, Yuri Kuks, professor of the department of technical and technological research of painting at the Academy of Sculpture and Architecture of Ilya Glazunov, Moscow

The emergence of oil painting techniques in Russia and its difference from traditional icon painting. Icon painter Marina Shalonina, chief artist of the icon painting center "Russian Icon - 21st Century", Moscow

Binder and surface preparation for writing on metal. Icon painter-restorer Svetlana Bolshakova, icon-restoration workshop “Favor”, St. Petersburg

MASTER CLASSES “Rare techniques and technologies in icon painting”

Oil binders. Icon painter Marina Shalonina, chief artist of the icon painting center "Russian Icon - 21st Century", Moscow

Wax binders. Icon painter-restorer Anna Golovkina, Moscow icon painting center "Russian Icon", Moscow

Convex gesso. Icon painter-restorer Bolshakova Svetlana Evgenievna, icon-restoration workshop "Favor", St. Petersburg

NOVEMBER 2 12:00

ROUND TABLE "Mural from antiquity to the present"

Ancient and modern materials in mural painting. Restorer of the highest category, Yuri Kuks, professor of the department of technical and technological research of painting at the Academy of Sculpture and Architecture of Ilya Glazunov, Moscow

Comparative analysis of the traditions of fresco painting on wet plaster. Icon painter Yevgeny Maksimov, teacher at Moscow State Art Institute named after IN AND. Surikova, Moscow

Comparative analysis of mural technology. Icon painter-restorer Bolshakova Svetlana Evgenievna, icon-restoration workshop “Favor”.

Problems of material selection in sacred art. Mosaic artist Alexander Kornoukhov, member of the KMDI art council, member of the bureau of the monumental section of the Moscow Artists’ Union, teacher of the Moscow State Art Institute named after IN AND. Surikova, Moscow

MASTER CLASSES “Wall painting”

Traditions of Italian wet stucco murals. Icon painter Yevgeny Maksimov, teacher at Moscow State Art Institute named after IN AND. Surikova, Moscow

Acrylic paints. Icon painter Yaroslav Alekseev teacher of the St. Petersburg Institute of Theology and Church Arts at the Assumption Compound Optina Desert, St. Petersburg

A combination of silicate and acrylic paints. Icon painter Alexander Sokolov, Moscow