Public-talk with the chief choreographer of the Perm Academic Opera and Ballet Theater named after P.I. Tchaikovsky Alexei Miroshnichenko Automatic translate

April 20 at 19.00 in the space of Arts Square Gallery will be a long-awaited meeting with one of the leading Russian choreographers Alexei Miroshnichenko.

He was always distinguished by a bold approach, stylish handwriting and brilliant command of a variety of different dialects of plastic language. He collaborated with the Bolshoi, Mariinsky, Novosibirsk theaters, with the New York City Ballet, the best scenes of the world were waiting for him, but in 2009 Miroshnichenko went to the banks of the Kama River to head the Perm Theater ballet troupe. The decision, supported by all his creative and professional surroundings - Mahar Vaziev, Leonid Desyatnikov, Polina Ossetinskaya, Pavel Gershenzon, Alexei Goribol - Alexey himself does not consider as accidental: “Probably, this is fate. From the first years of training at the Vaganovsky school, I constantly heard the word Perm: our veterans recalled the years of evacuation, teachers regularly went to the Perm school to give master classes, and many graduates of the different schools of different generations danced at the Mariinsky Theater. ”

With the ballet troupe of the Perm Theater, Alexei Miroshnichenko performed a number of outstanding productions, including Swan Lake, Conditionally Murdered, Jester, Bakhchisarai Fountain, choreography evenings “Winter Daydreams” and “Seeing Music”, ballets The Second Detail, "Wedding", "Firebird", "Cinderella", "The Nutcracker", as well as "Romeo and Juliet", a grandiose project in collaboration with the Kenneth MacMillan Foundation.

Under the leadership of Alexei, in less than 10 years, Perm Ballet has become a national dance brand, for the sake of which ballet fans from all over the world come to Russia.

What would the audience like to ask Alexei Miroshnichenko? Why are authorial versions of great stories so attractive and consonant with time? Why the Nutcracker? Why are there so many new meanings in seemingly well-known subjects and how does the master manage to turn 2D text into 3D reality? How are masterpieces created and what is needed for this? All questions are simply impossible to predict.

The moderator of the meeting Veronika Kulagina, editor-in-chief of PRO Dance magazine, will help to talk about everything that worries and not miss the main point.

Registration on the website of the House of Culture of Lev Lurie www.dklurie.ru.