Polina Zaremba "Blue Gold". 0+ Automatic translate

Gallery "Design club", 2nd floor.

For Polina Zaremba, painting is a way of knowing the world and oneself in this world. She does not try to repeat reality, but follows it, peering, listening attentively, trying to feel the present, living, the very essence. Her multi-layered compositions, addressed to the spectator’s sensual experience, may well be a kind of coloristic suites. The images of the surrounding world, once seen by the author, develop into phantasmagoric reflections intertwined with a pointless stream of color spots and lines.

The coloristic harmony of the canvases is musical: from gentle gray-blue tones through turquoise green to pulsating yellow. Color captivates the artist, allows her to express both frantic dynamics and soft balance. The accurately found color system conveys a feeling, an impression, carefully and subtly constructed and implemented in her pictorial suites. The artist, interacting with the outside world, sees the environment through the prism of his own perception and worldview.

The basis for modern abstract painting is the history of its formation during the dramatic XX century, traditions and strategies for further development. We observe the synthesis of pictorial, literary-poetic and philosophical experiments in the work of the founder of abstract art, Wassily Kandinsky, the author of the famous treatise On the Spiritual in Art. For Kandinsky, the colorful palette is "space, a new world, born through disasters." He associated color with certain sounds and states of mind. The Russian abstractionist appreciated the concept of plastic composition very highly, therefore for him the abstract-metaphysical form of transferring artistic reality became a unity of the spiritual and material, objective and subjective. In the wake of Kandinsky’s searches, we observe this tendency in the works of Polina,continuing the traditions of the Russian abstract school of painting.