Press-releases 06.10.2016 01.10.2016 automatic translate


05.10.2016 In the Kislovodsk Exhibition Hall, the duet exhibition “Youth. Craftsmanship. Talent ”by young artists Anastasia Silakova and Vladimir Khlyabich.


05.10.2016 The exhibition will feature more than 40 works by the artist created in the summer of 2013 - 2016. g.


05.10.2016 Three performances of the Buryat Republican Puppet Theater "Ulger" can be visited on November 3 and 4 at the Moscow Puppet Theater


05.10.2016 As part of the celebration of the 350th anniversary of the capital of Buryatia, residents of Moscow and St. Petersburg will be able to get acquainted with the culture of the republic


04.10.2016 Young Petersburgers, schoolchildren and students, young and future captains, their young parents and grandparents who are not aging in soul - all connoisseurs of cultural and educational leisure, the most active, curious and ready for creative experiments are expected on October 16 at the St. Petersburg Musical Comedy Theater.


03.10.2016 The auction will present for the first time paintings and drawings by Tanya Strelbitskaya, created from 2014 to 2016 from the series Eros and Thanatos, Soldiers, and Crazy Girl.


Regional exhibition of paintings "Flowers of Russia"

03.10.2016 September 30, 2016 in the Palace of Culture "Mir" opened the regional exhibition of paintings "Flowers of Russia".


Festival "Century of the connecting thread" - a recipe for eternal youth

03.10.2016 On October 1, on the International Day of Older Persons, the Festival of Musical Groups of the Older Generation "Century of a Link" was held at the Moscow Provincial Theater.


Exhibition by Ekaterina Belyavskaya "Checkmate and You"

01.10.2016 The new project of Ekaterina Belyavskaya “Chess, Mat and You”, and when adding words as syllables - “Chess”, includes 15 paintings, the artistic language, as before, is distinguished by a bright palette, fantasticness, and theatricality.


"BLACK ON WHITE" Andrey Kim. Igor Ermolaev

01.10.2016 Why do artists who see the world in color regularly “reduce” it to the level of black and white? Why such a simplification when the variety of colors, the richness of textures and plans of the environment are reduced by them to a combination of two colors, usually laid out in two, three or four tones? When only mascara, monochrome tempera, charcoal, pencil and whitewash on paper replace the splendor that is observed around and pleases the eye? Is such drawing not flawed, and how can one explain this stubbornness in the choice of means, obviously scarce, for conveying the visible?


This site exists due
to advertising revenue.
Turn off Adblock, please!