The Antikythera Mechanism:
An Analog Computer from the Hellenistic Period
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The discovery of a bronze device in a shipwreck off the island of Antikythera (also known as Antikythera or Antikythera) in 1901 fundamentally changed our understanding of the technological level of antiquity. Dating to between 150 and 100 BC, the artifact is a complex mechanical computing device whose level of miniaturization and engineering sophistication predates known European clockwork by at least 1,500 years. Long considered unique, the mechanism raises questions about the existence of an entire industry of high-precision mechanics, traces of which have been melted down or lost.
X-ray tomography and space reconstruction
Studies conducted in 2005 using high-resolution X-ray computed tomography (Micro-CT) allowed researchers to peer inside the corroded fragments, revealing dozens of hidden gears and thousands of text symbols. However, until 2021, the problem of reconstructing the front panel responsible for displaying the space remained unresolved. Fragments containing this part have almost completely disappeared.
In 2021, a team of researchers from University College London (UCL) presented a new theoretical model that, for the first time, explained the physical structure of the front panel, consistent with all surviving details and inscriptions. A key discovery was the decipherment of the planetary periods indicated on the mechanism cover. Ancient engineers used complex epicyclic gears (a gear rotating on another gear) to model the uneven motion of the planets as seen from Earth. For example, a 462-year cycle was used for Venus, and 442 years for Saturn.
The precision of the bronze teeth, which is only a fraction of a millimetre, suggests the use of unknown lathes or lengthy manual finishing processes using optical instruments, the existence of which has not been confirmed by archaeologists.
The Draconian Cycle Problem and Eclipse Prediction
The mechanism not only showed the positions of the stars but also predicted eclipses using the Saros cycle — an eclipse cycle lasting approximately 18 years. A spiral scale on the back of the device allowed these events to be tracked with hourly accuracy. Research in 2023–2024, aimed at studying fragment D, confirmed the presence of transmissions responsible for the draconic month (the period when the Moon returns to a node of its orbit). This disproves earlier hypotheses about the primitiveness of the device’s lunar model.
The differential gear system found in the mechanism allowed the solar rotation to be subtracted from the lunar rotation to determine the phases of the moon. While the differential was traditionally considered to have been invented only in the 16th century, Greek mechanics had been using it for astronomical calculations for a millennium and a half earlier. The absence of any mention of such devices in surviving texts from the period, with the exception of Cicero’s vague references to the "sphere of Archimedes" and the "sphere of Posidonius," remains a mystery.
Calibration and start date
One of the most challenging tasks for researchers was determining the date to which the mechanism was "locked" — the so-called calibration date. In 2022, an analysis of the holes in the calendar ring (Saros) suggested that the countdown was based not on a random date, but on a specific solar eclipse. According to updated data from 2024, the number of holes in the ring was likely 354 or 355, corresponding to a lunar year, not a solar year, raising new questions about the calendar synchronization system built into the device.
Geometric Engineering: Eupalinos’ Tunnel
On the island of Samos lies a structure rivaling the Egyptian pyramids in engineering complexity: the Tunnel of Eupalinos. Built in the sixth century BC by the engineer Eupalinos of Megara, this 1,036-meter-long aqueduct was dug through Mount Kastro from both sides simultaneously. The meeting of two teams of tunnelers in the mountain’s depths occurred with minimal error, an anomaly in the pre-industrial era, without laser levels or GPS.
Methods of underground navigation
The main mystery remains the method by which Eupalinus ensured the intersection of the two adits. The vertical deviation at the intersection was only a few centimeters, while the horizontal divergence was significant but controlled. Modern analysis of the tunnel’s geometry shows that Eupalinus deliberately altered the trajectory in the final meters of excavation to ensure the intersection of the two tunnels, even though they ran parallel to each other with a slight offset.
It is hypothesized that a system of mirrors and light signals, or a complex geodetic network on the mountain’s surface, the projection of which was transferred underground, was used for the survey. However, the Castro mountain range has complex terrain, making direct surface surveying extremely difficult. The instruments described by Heron of Alexandria (such as the diopter) appeared centuries later, leaving Eupalinus’ methodology in the realm of theoretical reconstruction.
Engineering Deviations and Zigzag
In the northern part of the tunnel, a strange deviation from a straight line is observed, which has long puzzled researchers. Initially, this was attributed to a surveyor’s error. However, geological analysis revealed that the deviation was a maneuver to avoid an area of unstable rock or an aquifer that could cause the tunnel’s roof to collapse. This indicates that the Greek engineers possessed expertise in engineering geology and the ability to quickly recalculate the trigonometric parameters of the underground route in low-light conditions.
Anomalies of the Minoan era
The civilization that existed on Crete a thousand years before classical Greece left behind artifacts that stand out from the general picture of technological evolution during the Bronze Age.
The Phaistos Disc: Printing Technology of the Bronze Age
The Phaistos Disc (c. 1700 BC), discovered in 1908, is a unique example of movable type technology. The 241 characters on the disc were not scratched with a stylus, as was common in Linear A or B, but were imprinted using pre-made dies. This means that a set of standardized printing plates existed on Crete 3,000 years before Gutenberg.
The main mystery lies not so much in the content of the text (which remains undecipherable, despite claims by some linguists that it reads "prayers to the mother goddess"), but in the absence of other similar artifacts. The economic feasibility of producing a set of complex stamps only arises when texts need to be replicated. The singularity of the Phaistos Disc contradicts the very logic of printing technology. Either we are dealing with the sole surviving copy of a mass-produced disc, or the disc is an oopart — an out-of-place artifact, a technological experiment that never developed. Statistical analysis of the symbols shows that the text is not a chaotic set, but has a structure characteristic of natural language or complex notation.
Hydrodynamics of the Palace of Knossos
The water supply and sewerage system of the Palace of Knossos demonstrates an understanding of the principles of hydrodynamics, which were rediscovered in Europe only in the 19th century. The ceramic water pipes had a tapering cone shape, which increased the water flow velocity and prevented sediment accumulation (the Venturi effect). Furthermore, the storm drain system utilized parabolic curves and cascades of flow energy absorbers to prevent water flowing down steep slopes from damaging the ceramic pipes and stone gutters. This demonstrates either empirical or theoretical knowledge of the laws of fluid motion.
Lost Material Technologies
The chemical and metallurgical achievements of the Greeks are often described in sources with results that are difficult to reproduce in modern conditions, which gives rise to debate about the reality of these technologies.
Greek Fire: Chemical Weapons of Byzantium
Although "Greek fire" dates back to the Byzantine period, it is a direct descendant of Hellenistic alchemy and military engineering. It was an incendiary mixture that could not be extinguished with water; in fact, contact with water intensified the flame. The composition of the mixture was a state secret, guarded so strictly that the exact formula has been completely lost.
Modern research rejects the idea that it was simply oil or resin. It is most likely a complex two-component system. One hypothesis is the use of quicklime (calcium oxide) mixed with light fractions of oil (naphtha). When the lime comes into contact with water, an exothermic reaction occurs, releasing enough heat to ignite the naphtha vapor.
However, the key element of the technology was not only the chemistry but also the delivery system — the siphon. This was a fully-fledged flamethrower with a high-pressure pump, bronze pipes, and a rotating nozzle. Creating a sealed pump capable of handling an aggressive flammable mixture under pressure required sealing and metalworking technologies that surpassed the levels of the early Middle Ages. It is speculated that the secret lay in the design of the pump ("siphon"), without which the mixture would be useless.
Earthquake resistance and the iron brackets of the Parthenon
During the construction of the Parthenon in the 5th century BC, the architects Iktinos and Callicrates employed a reinforcement technology that provided the building with incredible earthquake resistance. The marble blocks were held together with I-beam iron clamps. Iron, when in contact with stone, is susceptible to corrosion, which, when expanded, tears the marble apart. To prevent this, the Greek builders filled the iron clamps with lead.
The lead served a dual purpose: it sealed the iron, preventing rust, and acted as a shock absorber during earthquakes. The soft lead absorbed vibration energy, allowing the stone blocks to shift microscopically without breaking, and then snap back into place. This composite method of joining materials (stone-iron-lead) demonstrates a profound understanding of the properties of metals and dynamic loads.
Archimedes’ Mirrors: An Experimental Test of the Legend
The legend of Archimedes burning the Roman fleet during the siege of Syracuse in 212 BC using a system of mirrors ("death rays") was long considered physically impossible. Critics pointed to the impossibility of creating a sufficiently large parabolic mirror and the difficulty of focusing on moving ships.
However, a series of experiments, including recent research from 2024, have shown that using an array of flat, polished shields (or mirrors) controlled by a team of people is theoretically capable of setting a wooden vessel on fire. An experiment conducted by student Brenden Sener confirmed that even small mirrors, when precisely focused, increase the target’s temperature exponentially. The key factor isn’t the presence of a giant mirror, but the coordination of multiple reflective sources.
However, the practical application of this method in combat remains questionable. Igniting wood requires maintaining focus on a single point for several minutes, which is extremely difficult given the ship’s pitching and the target’s movement. It’s likely that "death rays" were used not to completely destroy a fleet, but to blind crews, create panic, or set fire to sails and rigging, which are more flammable than ships’ hulls.
Acoustic phenomena of ancient theaters
The theater at Epidaurus (4th century BC) is renowned for its phenomenal acoustics: the sound of a coin dropped in the center of the orchestra (stage) can be clearly heard in the uppermost rows, 60 meters away. This was long attributed to wind patterns or the unique topography of the area.
Research conducted in recent years has revealed that the secret lies in the geometry of the stands and the seating material. Rows of limestone seats act as an acoustic filter, suppressing low-frequency background noise (crowd noise, wind) but reflecting high frequencies (the actor’s voice) back toward the audience. The stepped structure creates a backscattering effect, amplifying the useful signal. Ancient architects, ignorant of the wave theory of sound, empirically discovered the formula for the ideal passive amplifier. Modern attempts to replicate this acoustics in the construction of open-air theaters rarely achieve the same efficiency, indicating a loss of the nuances of seat profile design.
Lost treatises and gaps in knowledge
Many of the technologies described are known to us only from fragments or physical artifacts, as much of the technical literature was lost. The fire at the Library of Alexandria and the destruction of other centers of knowledge created an artificial rift in the history of technology. The Archimedes Palimpsest — a 13th-century prayer book written over the erased text of a mathematical treatise — is a striking example of how advanced knowledge (in this case, the foundations of integral calculus) was literally washed away in favor of what posterity considered more pressing needs. How many other such "Antikythera mechanisms" were melted down for weapons or coins remains a matter of speculation.