New Swedish movie without complexes and taboo topics Automatic translate

ST. PETERSBURG. On the banks of the Neva began the Week of Swedish cinema.

Swedish cinema is a rare guest on our screens. The average spectator, awakened at night, is only able to recall Ernst Ingmar Bergman and Lukas Moodysson. Advanced will be a little verbose. In his intellectual luggage - the two-time winner of the main prize of the Cannes Film Festival and Bergman’s teacher Alf Sjöberg, provocatively frank Vilgot Sjöman, talented and successful in various roles, Mai Zetterling, who knows a lot about Rickard’s death (Richard Hobert).

Swedish Week at Giant Park in June 2016 - an opportunity to refresh knowledge and broaden one’s horizons. The multi-genre program of 6 films is quite suitable for this. Not all are suitable for family viewing. The absence of taboo topics and the frank dissection of the most complex issues, especially for our chaste society, are a characteristic feature of Swedish cinema. The current topic of migration in the social drama "Underdog" (UNDERDOG) Ronnie Sandahl (Ronnie Sandahl) through the prism of adaptation of Swedish migrant workers in Norwegian society. Sexual perversions in the short film almanac. Fantasy wrapper thriller in Cirkeln by Levan Akin. The melodrama "Miracles on Wisconsin" by John O. Olsson about years of family strife. Acquaintance with the merciless reality of young and inexperienced girls in Unga Sophie Bell by Amanda Adolfsson. And a must-see for fans of Peppy, Carlson, Emil and Rasmus, documentary Kristina Lindström rich in little-known information about Astrid Lindgren.

Russian subtitles and free viewing guarantee additional pleasure.

Elena Tanakova © Gallerix.ru