The fragile talent of Amy Winehouse. Remember with a kind word Automatic translate

BEVERLY HILLS. Asif Kapadia’s film about Amy Winehouse made it to the Oscars.

An uneven biopic about Amy Winehouse may not lead its director Asif Kapadia to the red carpet in front of the Dolby Theater. The categorical rejection of the film about the daughter by Amy’s father, comments on his one-sidedness and bias of the tape only indicate that the version is close to the truth.

Mitchell Winehouse, who left the family, was not looking for the right words for her difficult growing up daughter when Amy’s hand was first drawn to drugs, when she was expelled from the theater school of Sylvia Young for bad behavior. The smell of big money and the resounding popularity of Amy helped him materialize immediately. His greed deprived her of a chance to cure immediately of two misfortunes that ruined her life - bulimia and drunkenness. Refusing her hospitalization in a specialized clinic, thereby predetermined the tragic finale. Shaming Kapadia, he collects material for his own film. There is no doubt that in the alternative version he will appear as a good wizard or generous Santa Claus.

Blake’s husband, who had trained her in drugs, simply signed Amy’s death sentence. One year after her departure, Whitney Houston will not be. The stories of two infinitely talented women coincided in the final literally to the point. Fatal attachment to addict husbands, who taught them to take illicit substances on a regular basis, and terrible untimely withdrawal. Both villains are alive and well.

The phenomenal giftedness of the British singer was evident from the first steps in the music. The main advantage of the picture is not revealing pathos, but the opportunity to see old shots in which Amy is captured in a very young, lively, direct, endlessly in love with music. And heart-squeezing unexpected prophetic words about the fact that popularity may be beyond her power and drive her crazy. Glory did not cause insanity, but poisoned her life with the impudence of the paparazzi, who did not leave her alone until her death hour. The axiom of the fragility of talent and the need to protect it is confirmed in the picture by each frame. It doesn’t matter if Amy gets an Oscar. Remembering her with a kind word is much more important.

Elena Tanakova © Gallerix.ru