"Shakespeare. Ghosts and Witches" on the stage of the Palace of Culture. A.S. Serafimovich Automatic translate
On February 25, at 19.00, the show “Shakespeare. Ghosts and Witches ”on the stage of the Palace of Culture. A.S. Serafimovich (St. Middle Tishinsky per., 5/7) Director: Sergey Aronin, artist: Ekaterina Ryakhovskaya, starring: Ksenia Gromova, Ivan Gromov, Ksenia Orlova, Sergey Aronin, Sergey Bystrov, Irene Muskara, Dmitry Vozdvizhensky, Andrey Sergeyev.
“This life is still imperfect,” the director Sergey Aronin reasoned, “most often the actor gets the main role in the play of Shakespeare even when he is far from student enthusiasm to play something Shakespearean. It would be good to correct this imperfection, ”he continued. And corrected. He staged a performance with long, already-non-students, with purely student passion: dashing, fun, witty and very convincing. Lear, Richard, Macbeth, Othello, Hamlet, Romeo and Juliet - in general, everyone you love and miss someone ignites in Shakespeare’s play by Sergei Aronin. Ghosts and Witches. ”
From the creators: if you think that Tit Andronic is the same as tectonics, and Macbeth is not far from MacBook, if Romeo and Juliet is a film - it does not matter! It is worse if you think that Shakespeare is a papier-mâché skull, a wooden sword and drawers, in general - dust and boredom. Here we will come to the rescue and answer: Shakespeare, a British writer, a permanent resident of Russian scaffolds - this is a crazy guy with an earring in his ear, a fan of wearing a paper accordion around his neck, a real troll of the 80th level: he invited everyone to his birthday and died, turning to his funeral, after which everyone doubted whether he really was, or his whole life - a joke and a theater, they began to seek a will, but they found vinra pieces… And it started!..
Sergey Aronin: “At the institute’s time, we had a terrific Shakespeare exam, during which simply amazing stories were told. And since it was in the second year, all the productions were forgotten and disappeared over time. But the feeling of this “student” Shakespeare remained, which I wanted to repeat. In general, the whole performance is about how Shakespeare in his own way embodies acting dreams. ”
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