"Comrades in Arms" by Emil Braginsky and Eldar Ryazanov, summary Automatic translate

The play, written in 1971, explores the psychological transformation of a strict boss and a timid subordinate against the backdrop of the routine of a statistical agency. The authors reveal the sincere human emotions hidden behind the strict bureaucratic façade. An ordinary office becomes an arena for a clash of career ambitions, humorous misunderstandings, and sudden attachment.

In 1977, the film "Office Romance" was based on this play. Directed by Eldar Ryazanov, the play’s co-writer, the film became the undisputed leader of the Soviet box office, attracting tens of millions of viewers and achieving enormous success.

The statistical institution and its inhabitants

The action unfolds in a typical government agency. Director Lyudmila Prokofyevna Kalugina leads her team with extreme rigor. Behind her back, her employees call the lonely thirty-six-year-old woman a shrew. She dresses pointedly, is the first to arrive at work, and the last to leave. Kalugina demands impeccable discipline and is outraged when employees sell pantyhose in the ladies’ room.

A new deputy director, Yuri Samokhvalov, appears at the office. He’s an elegant man who’s just returned from Geneva. He treats his secretary, Verochka, to some imported cigarettes. In the hallway, Samokhvalov runs into some old college friends. Senior economist Anatoly Novoseltsev has been working there for seventeen years but hasn’t been promoted. He constantly tears his children’s shoes, forcing him to borrow twenty rubles until payday. Olga Ryzhova works in the next office. She’s consumed by everyday life and suburban commuter trains, but retains a youthful optimism.

A career plan and a failed matchmaking

Kalugina summons Novoseltsev and harshly criticizes his report. The director points out errors in the statistics for vacuum cleaners and deep-dish dishes. The institution has a vacancy for the position of head of the light industry department. Samokhvalov decides to help his old friend get the job. The deputy advises Novoseltsev to pursue the unapproachable boss.

That evening, Samokhvalov hosts a party at his home. Novoseltsev takes a tray of cocktails and timidly approaches Kalugina, who is bored and alone. He tries to entertain her with small talk. The economist awkwardly discusses the harvesting of aspen mushrooms and honey mushrooms. Then he poorly recites Fet’s poetry, attempts to sing, and even dances the "Gypsy Dance." Kalugina harshly rejects his antics. The economist loses his temper. Novoseltsev publicly calls the director callous, heartless, and heartless.

Meanwhile, Olga Ryzhova is indulging in nostalgia. She invites Samokhvalov to dance and reminisces about their long-ago student romance, their trips to Kuntsevo, and their kisses.

An unexpected encounter and a living dead man

In the morning, Novoseltsev is expecting to be fired. His secretary, Verochka, shares details of the economist’s personal life with Kalugina. It turns out that his wife, Lisa, had long ago left him for the auditor’s office, leaving him with two sons. The director calls his subordinate into his office. The conversation quickly escalates into a showdown, and Kalugina suddenly begins to cry.

The Iron Lady complains of her loneliness. She forces herself to eat breakfast, dreads empty evenings, and dreads weekends. Novoseltsev sincerely sympathizes with his boss. A timid chemistry develops between them. Soon, Novoseltsev secretly places a beautiful bouquet of flowers in Kalugina’s office.

Meanwhile, a funny incident occurs at the office. Shura, a local committee representative, is collecting money for a wreath for Bublikoff, an employee. Suddenly, it turns out that the hospital mixed up their names, and Bublikoff is alive. He sees his own portrait in a mourning frame. Panicking, Shura tears the wreaths apart into bouquets. Novoseltsev tries to convince Kalugina that the flowers on her desk are the remains of funeral wreaths. The director guesses who sent the gift. They quarrel, and Kalugina throws the bouquet at the economist. Novoseltsev concludes that his boss has a crush on him.

Female transformation and other people’s secrets

Kalugina decides to change her gloomy image. She asks her secretary, Verochka, to talk about fashion trends. The young woman eagerly discusses crimplene, high-heeled boots, and fitted silhouettes. Verochka teaches her boss an elegant, hip-swinging gait, suggesting she walk not like a piledriver, but like a true goddess.

The lesson is interrupted by Novoseltsev’s appearance. He’s struggling to drag a heavy bronze horse. Shura bought this statue as a gift for Borovskikh’s birthday boy and decided to hide it in the director’s safe. Kalugina tries to hide her embarrassment. Novoseltsev concocts a story about a hearty dinner with his wife, but Kalugina catches him in a blatant lie. Overwhelmed, the economist faints, horse in hand.

At the same time, Ryzhova regularly writes passionate love letters to Samokhvalov. Verochka accidentally reads one of the messages and tells her friend Alena about it over the phone. The rumor instantly spreads throughout the departments.

Samokhvalov is burdened by his ex-girlfriend’s obsessive attentions. He commits a vile act. His deputy passes intimate letters to Shura, a local committee activist. He directly asks for an investigation into Ryzhova’s behavior at the union meeting.

Conflict and slap

Kalugina learns of her deputy’s actions. The director demands an end to the harassment of Ryzhova and reprimands Samokhvalov for his inhumanity. Novoseltsev soon learns of the incident. The outraged economist storms into Samokhvalov’s office. He demonstratively returns the twenty rubles he had borrowed earlier and slaps the deputy across the face.

Kalugina witnesses this heated scene. She jokingly advises Samokhvalov to fight back. The deputy promises to take revenge on his offender by other means. The conflict strains relations within the team, but brings Kalugina and Novoseltsev even closer together.

Romantic dinner

Novoseltsev arrives at Kalugina’s place with a box of chocolates. The apartment’s owner appears before him in a completely new light. She’s wearing a beautiful sequined dress, a neat hairstyle, and high heels. Novoseltsev is genuinely struck by her beauty.

The date is extremely tense. The economist is extremely nervous and fumbles his words. He tries to propose, dwelling at length on his ordinary appearance. In a fit of passion, Novoseltsev accidentally spills a glass of red wine right on Kalugina’s new dress. He frantically covers the stain with salt. Kalugina asks him to stop fussing. She admits that she, too, is deeply in love, but is terrified of being deceived by another man.

Their tender conversation is interrupted by a sharp phone call. Novoseltsev’s sons are calling to report that they accidentally flushed their cat down the garbage chute. Kalugina immediately puts on her coat and, along with her boyfriend, sets off to rescue the animal.

Samokhvalov’s Revenge

The next day, a transformed Kalugina shows up at work. She looks absolutely happy. Samokhvalov notices this dramatic change. Wanting to take brutal revenge on Novoseltsev for the public slap, he pays a visit to the director’s office.

The deputy imparts poisonous information to Kalugina. He claims Novoseltsev is courting her solely for the job of head of the light industry department. As irrefutable proof, Samokhvalov cites minor details of their home conversation about mushrooms. Kalugina is devastated by this news. She completely believes the traitor’s words.

The Final Storm

The director summons his secretary and dictates an official order appointing Novoseltsev head of the department. The economist returns to the office with good news: he’s secured circus tickets. Kalugina icily informs him of the promotion. She caustically praises his resourcefulness and rare ability to achieve career goals through false courtship.

Novoseltsev is shocked by the accusations. He honestly admits that he had initially considered the position, but now he truly loves it. Kalugina refuses to listen to excuses. The insulted economist flatly refuses the long-awaited promotion and writes a resignation letter. The director demonstratively tears up the paper.

A huge scandal erupts between the two characters. Novoseltsev writes new letters of resignation, citing the director’s tyrannical behavior as the reason for his resignation. Kalugina flies into a rage. The two characters hurl insults at each other. They take turns throwing chairs in the office. Kalugina lunges at her obstinate subordinate, threatening to injure him. In the midst of the physical altercation, Novoseltsev grabs his boss and kisses her passionately.

At that moment, Shura enters the office as usual. She monotonously demands a ruble each for the birth of twins to Fedoseyeva, an employee. Having assessed the unmistakable romantic situation in the director’s office, the enterprising Shura immediately asks the heroes to contribute another fifty kopecks. When asked about the recipient of the payment, Shura declares, "For a wedding gift from the team!"