Flutes and prosaisms of Victor Sosnora without moralizing notes Automatic translate

MOSCOW. The publishing house "Limbus Press" published a book by avant-garde poet Victor Sosnora.

Victor Sosnora explained the big pauses in the publication of his works by the fact that he was used to writing with books, as some of his poems “do not sound”. The collection “Flutes and Prose” was published by the “Limbus Press” publishing house in the year of its 80th anniversary. It is not perceived as a kind of debriefing even in the context of voluntary forced hermitism due to hearing loss and health problems. The texts included in the collection are the embodiment of that new art form and spirituality, so significant for Sosnora in literary work. They are the reckless juggling of metaphors, associations, illogisms, oxymorons and synecdochs, which excites fans of his poetry and philologists, with rapture to understand it.

Not a hint of moralizing and moralizing attempts, censured by Sosnora in the works of literary masters and unacceptable in his own. Although his own biography is a blockade experienced in early childhood, a severe wound received during the execution of a partisan detachment, the role of “son of a regiment” in the Polish Army corps, military service in Novaya Zemlya, publications in samizdat, lectures in America and France, friendship with Nikolai Aseev and Lily Brik - a sufficient reason to tirelessly share life experience with a certain note of edification. Instead, self-irony and a clear understanding of the short-term nature of any glory, the loss of relevance of knowledge about the world, which seemed unshakable.

According to the writer and literary critic Andrei Aryev, it is easier to understand the language of the poet-innovator from the inside, which requires considerable work of the soul. That is why the Sosnors consider creativity to be insufficiently “read culture”. His essays and rare interviews are full of paradoxical judgments about literature and life, which make you look from a different angle on what has not previously been revised. No "sacred cows" and unshakable patterns. Lively and partial look of the poet, not obeying the traditional standards of poetry.

Elena Tanakova © Gallerix.ru