The greatest Michelangelo, who gave rise to an era in the world of art Automatic translate

Michelangelo was born on March 6, 1475 in the Italian city of Caprese in the region of Tuscan, in the family of the ruined Florentine boyar Lodovico Buonarroti.

The family of the future creator was barely making ends meet, and the income that his father received from a tiny possession in the suburbs was barely enough to feed a large family. In this situation, he had no choice, and he was forced to give Michelangelo his mother the nurse, the wife of Scarpelino, who lived in the neighborhood. There, little Buonarroti grew up brought up in the Topolino family.

While still very young, the guy learned the art of kneading clay and learned to wield a chisel long before the ability to read and write. Over time, Michelangelo’s new father supported his son’s hobbies and sent him to study at the workshop. These were the first steps into the world of art of the future world genius, an Italian sculptor, artist and legislator of an entire era in world art and painting, one of the main masters of the Renaissance - Michelangelo Buonarroti.

After the death of Michelangelo, amazing facts were revealed, because during his life this incredibly talented artist and sculptor constantly kept repeating that he was suffering only losses. He even managed to convince everyone around him to such an extent that they sympathized with him, helped and tried to support him, speaking of him as a very poor person.

The New York Times published an article these days that a fabulous fortune of several tens of millions of US dollars was found in Michelangelo’s assets. The question is why did Buonarroti hide his condition? It remains a mystery to this day whether he considered life within his means a sign of bad taste or did not want to stand out in his surroundings, or maybe he was just afraid to jinx or push the misfortune to the success and recognition of his talents. At the same time, the fact of the demand for the master’s paintings in life buy a picture the artist probably was not difficult in those years, but nevertheless there are no such facts.

The great creator during his lifetime was very mystical and a large number of incredibly mystified stories were associated with him. Michelangelo even knew the basics of anatomy in order to maximally accurately recreate all the bends, features and lines of the human body. He was so carried away by the study of the human body, devoting it to him for 10-15 hours a day, studying at the monastery morgue, that after a short time sculptures of such quality and level began to appear that until now there were few sculptors who could be equal to his talent. The master knew about his talent and repeatedly allowed himself to be expressed very sharply and critically in relation to other artists.

We have reached a lot of caustic judgments about the works of other masters, which the artist released to them. Once he expressed himself about one of the works on which the tribulation dedicated to Christ was depicted: “Truly the tribulation to watch and see it.” And another artist, who drew a picture in which only the bull turned out well, was commented by Michelangelo with this remark: “The artist paints himself best.”

And the master created the greatest statue of David from a piece of white marble, which he tormented for a large amount of time, carving with an inexperienced hand the other sculptor stupidly trying to give him the outline of the statue, but soon despaired and sent it to the trash.

In the 15th century, Julius II decided to build for himself a unique tomb. He invited Michelangelo obliging him to proceed with the project. Michelangelo was very inspired by the idea and at that time already had vast experience in creating such masterpieces as Pieta and David. For almost 9 months, Michelangelo was in Carrara, looking for the marble blocks necessary for work. At the time of the delivery of marble to Rome, which was carried out by his foe and colleague Donato Bramante, he convinced the pope to stop work on the tomb.

Julius II was very superstitious, and Bramante deliberately exploited his weakness by frightening the pontiff, because creating a tomb during his life was a bad sign.

Why did Bramante not so endure Michelangelo?

Once the sculptor convicted the architect of wasting and numerous thefts during construction in Rome. And that was the truth, a truth that he could not forgive. The announcement of the order to stop work on the tomb offended Michelangelo, who, in turn, tried to get an appointment with Julia to find out the reason for his resignation, but he, in turn, furious and suppressed by Bramante’s arguments, simply refused to listen and accept Mikilandzhelo and ordered the sculptor to be put out the door.

This was unbearable for Buonarroti, twice humiliated and insulted, he abandoned all his affairs and left Rome in the direction of Florence. On top of that, he had concerns about the secret conspiracy of Brament and Raphael, which, according to Michelangelo, were plotting to kill him.

When the pope found out that the sculptor left Rome, he was furious and sent a messenger after Michelangelo to order his immediate return, but the sculptor defiantly ignored this order and did not even talk to the messenger. Bramante, taking advantage of the situation, stole the marble brought by Michelangelo to the tomb of Julius II.

Pope Julius II and Michelangelo could find application only in 1506, at the time of an accidental meeting in Bologna, where Julius, understanding his role as necessary for Michelangelo’s work for Rome and the Vatican, showed mercy and did everything possible to bring the talented sculptor and artist back.

In 1508, Julius again sent a motion to protest Buonarroti in Rome. And instead of asking the sculptor to create a statue, he instructs him to start creating frescoes that adorn the ceiling of the Sistine Chapel. Bramante turned him on this decision, who, in turn, admired and supported the young and no less talented Rafael Santi and could not get rid of the obsession to remove Michelangelo from the road.

The conspiracy of the enemies was to distract Michelangelo from the main task, in their opinion, of creating the sculpture. In addition, to incite the wrath of the Pope on him, who would have fallen on Buonarroti as a result of the refusal of the order. And in that case, if Michelangelo nevertheless accepts the proposal, he will rather not cope with the task. In this case, Rafael will be on horseback and he will be able to proceed with the sculpture.

Taking into account the fact that Michelangelo had very little experience with fresco painting, in addition to studying with the Florentine painter Domenico Ghirlandaio at the end of the 14th century.

One can understand the reason why Buonarroti at first asked the pope to transfer this assignment to Raphael. However, the decision of the Pope was unshakable and Michelangelo had to accept the offer. Pope laid on Michelangelo the writing of the twelve apostles and the free area around the fresco to paint the space.

In addition to a good fee, the artist offered to pay five more apprentices for his work, and allowed Buonarroti to choose the right frames for himself. Michelangelo set to work, chose cardboard with his team and managed to write a fragment of the code. And here the artist has a completely illogical behavior, overnight he rejects help firing the entire team of assistants and continues to do the work alone. In addition, such a wave of emotions swept over Buonarroti that he destroyed all his work done before the chapel until that moment. Michelangelo thereby pushes himself into the most severe framework and increases his complexity and workload tens of times.

He alone needs to paint the entire ceiling with an ornament, the area of ​​which is six hundred square meters of illustrations about the Old Testament. Michelangelo’s deed was equated with a feat. It took him 26 months to complete the work, and this taking into account the break from May 10, 1508 to October 31, 1512, but he coped with the difficult task.

The artist wrote while lying on his back and occasionally sitting, while he needed to throw his head back. In this position, the paint overshadowed his vision by dropping huge drops directly into his eyes, flowing down from his brush during work, and his camp from an terribly uncomfortable posture cut into pieces and broke out bones of an unbearable pain, for this reason he moaned terribly and obscene while he moaned that often happened during the service. For this, Michelangelo received constant reprimands.

The artist badly spoiled his eyesight due to the fact that the whole period of the working day he was able to direct his vision exclusively upwards and he lost the opportunity to see anything at a time when his vision was directed directly.

During the creation of his greatest work, the Sistine Chapel, for which, incidentally, he didn’t get a penny, but only earned a sore back, the artist screamed terribly about this. After finishing half the work, Michelangelo created a terrible conflict with his dad and refused to continue his work. Despite the huge efforts expended, which for 4 years alone and in unbearable conditions, at a great height under the dome in a terribly uncomfortable position, the sculptor overcame creating his masterpiece. Michelangelo could not stand the criticism and did not allow anyone to look at his unfinished work, strictly reacting to any offers of help.

In retaliation for Biagio da Cesena, an indefatigable critic who could not rightly evaluate the hard labor done to create frescoes, accusing Mikilandzhelo of excessive nudity of characters, the artist depicted him on the Last Judgment fresco in the image of Minos the king of the underworld. Michelangelo completely completed his work only after 25 years already under the reign of Pope Paul III Farnese.

To create a huge fresco “The Last Judgment”, which is located on the entire altar wall, because of the need for space for his work, they were forced to remove two frescoes made by Perugino and close up two large windows.

Buonarroti was embarrassed and avoided communicating with women, this was the main reason for his poor knowledge of the female body. He attached strongly athletic features to their image. Michelangelo managed to meet her first woman and muse after 60, she was almost 20 years younger than him.

Buonarroti knew no equal to himself and his talent. At the age of 24, he finished the first Pieta, which was exhibited in the walls of St. Peter’s Basilica. Michelangelo suddenly heard that people often award this work to Cristoforo Solari. an angry sculptor carved a proud inscription “This creation belongs to Michelangelo Buonarotti from Florence” in the area of ​​the belt of the Virgin Mary.

Over time, he was embarrassed by his act and tried not to repeat such abrupt steps, promising himself to control the outbursts of anger that often terrified even dads. Not infrequently, statements like this came to him: “Michelangelo is not controlled and terrible in anger, it is better to stay away from him.” And he was able to fulfill the promise; not only his work did not have the signature of the author.

Buonarroti led an ascetic lifestyle all his life and, despite his good health, this was naturally ill, the consequences of working on the Chapel affected. And when outbreaks of illness began to increase, all of Italy, who considered herself his heiress in the front row with the Duke of Tuscany and the pope, in fear of sketches and plans for the construction of the church of San Lorenzo and St. Peter’s Basilica in Rome that could disappear, behind Michelangelo took care of storage of the entire list of drawings, paintings, drawings, cardboards, and other relics, in case he leaves for another world. Full control was also established over all the immediate surroundings of Michelangelo, including the staff who served in the house of Buonarroti.

The great artist, and with him the whole era that ceased to exist, died on February 18, 1564. He lived 89 years and went into the midst of his work. Unfortunately, many of his creations were not finished. To this day, many collectors around the world are hunting these sketches, drawings wanting to buy paintings especially begun on the eve of death, as they have fabulous value.

The tomb of Michelangelo Buonarroti in Santa Croce is located in Florence, where he dreamed all his life to return even lifeless. For such Love and incredible talent, Florence honored him and reciprocated.

Anticipating the imminent death of Michelangelo, he destroyed the gigantic amount of sketches and sketches without a trace, realizing that he would not have the technical means to give them life. These are such small, but too significant facts from the life of the great master!

You can buy paintings from this and other authors in the online store of copies of Art-Holster paintings, which in our opinion will most accurately be made by museum copies.