Russian baroque Automatic translate

The architecture of Russian baroque is original. This originality appeared as a result of a combination of the fundamental nature of planning decisions and the picturesqueness of silhouettes and facades, with their multicolor and fantasy of decorative forms. Since the 18th century, the Russian five-domed revived during the construction of churches and the construction of monasteries. This type of five-domed church by the middle of the 18th century was replaced by the design of domes in the Florentine spirit, which was present in architecture at the beginning of the century.

There was clearly a desire to express the dominance of man over nature by various architectural means and methods. This can be confirmed by a large number of openings, a variety of mirrors and ornaments, and picturesque platforms and murals that completely cover the walls, which are present in the architecture of spacious terraces and halls. All this and much more invariably creates the illusion of the infinity of space.

The cost of housing is influenced by many factors, direct or indirect, temporary or permanent. A good reason to significantly increase the price luxury real estate in Sochi , was the upcoming Olympics in 2014. The city has already changed dramatically and has become the center of public attention.

It should also be noted that the heyday of Russian Baroque is inextricably linked with the names of such prominent figures of that time as V.V. Rastrelli, P.A. Trezzini, A.F. Vista. And this is not a complete list of all the famous masters, architects and architects of the 18th century.

Russian baroque in many ways does not look like European. It clearly shows the secular, more earthly character of Russian art of the XVIII century.

So, Savva Ivanovich Chevakinsky built the famous St. Nicholas Cathedral in St. Petersburg with the most beautiful bell tower of this city on the banks of the Kryukov Canal. The Shuvalov Palace, the Sheremetyev Palace on the Fontanka, etc. belong to his hand. At the same time, Vladimir Church was erected on Vladimir Square, which was completed at the end of 1760. The author of this architectural structure remained unknown, but, according to historians, it could probably be P. A. Trezzini. Subsequently, many of his creations were rebuilt, and many simply disappeared.

In 1760, the golden age of Catherine II begins. Naturally there is a change of era, architectural tastes are changing, classicism is replacing baroque.