Art Nouveau in Russian painting Automatic translate

First of all, Art Nouveau is Shekhtel’s luxurious, delightful mansions located in Moscow, table lamps with bright ornaments, large crystal chandeliers with a non-standard oval shape and an elegant slope. Contemporaries called the very noticeable and bright direction of spatial art “modern” or “new style”. It originated around the nineties of the 19th century and found a clear resemblance to the European trends of this era.

The fundamental novelty of the style was contrasted with the order of the bored eclectic utilization of the experience of centuries. In addition, for Art Nouveau, his claim to become a style was fundamental, the desire to fully embody the spirit of modernity in all kinds of artistic forms, which was characteristic of the greatest styles of the past.

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But previous styles in culture appeared organically, as whole art systems were realized only later. But Art Nouveau began its emergence precisely with the desire to exist as a style, he proposed and stubbornly defended the fundamental style forms. The masters of Russian Art Nouveau in the visual arts include M. A. Vrubel, A. S. Golubkin, S. V. Malyutin, V. M. Vasnetsov and others. The list of masters of architectural and decorative and applied compositions includes F. O. Shekhtel, F. I. Lidval, N. Ya. Davydova, N. P. Lamanova and others. Explicit echoes of the “new style” appear in some works of I. I. Levitan, V. A. Serov and V. V. Kandinsky.

The novelty of the Art Nouveau style became noticeable immediately. He brought not only his favorite motives, but also some mobility, unusual rhythms. On the facings, stalks of water lilies and large flowers began to appear. The “new style” ornament is dominated by a living line radiating freedom. Even the font in the books received the qualities of such an unprecedented pattern.