Conceptualism and Postmodernism Automatic translate

After World War II, pop art and conceptualism emerge. Pop art, public art, abandoning the usual methods of painting and sculpture, cultivates a paradoxical combination of household objects, while imitating painting techniques and compositional advertising techniques, sometimes it is similar to display models of products, etc. (works by V. Hamelton, F. Bacon, M. Duchamp).

In contrast to pop art, conceptualism claimed to create a philosophy of art. The setting of this direction was formulated as follows: “The world is full of objects more or less interesting. And I do not want to add new ones to them. I’m just pointing out existing things. ” The role of the artist, therefore, is often minimized. A piece of conceptual art could, for example, become an object presented in an unusual environment or in an unusual combination with other objects (installations by D. Duren, compositions by D. Koons, etc.). Conceptualism has almost erased the line between art and reality.

In the second half of the 20th century, when the logic of civilizational development led to the emergence of such a phenomenon as post-industrial states, a new artistic direction arises in them, called postmodernism, or postmodernism. A characteristic feature of postmodernism in architecture and the visual arts is the combination of styles, artistic techniques borrowed from arsenals from different eras and regions within the framework of a single work.

Both in the paintings and in the photo, the portraits of women who did before posing look very impressive keratin hair straightening .

Artists (C. Schiller, D. Kif, etc.) resort to the allegorical language of classics and baroque, the symbolism of ancient cultures. In architecture, they turn to the styles of the past, juxtaposing them in the most unusual way. Sometimes an unusual aesthetic environment is created, where the components include grotesque and irony. The worldview of postmodernism focuses on the formation of such a living space in which freedom becomes the main value, the denial of all kinds of norms and traditions.

Postmodernists strive to free themselves from any power in culture, and above all from the power of traditions, which is seen as the power of time and objectivity. They proclaimed the "natural right of the present before the past." To some extent, this led not only to intellectual pluralism, but also to “permissiveness” in art.