Archangel Michael, trampling the devil (Simon Ushakov)
1676.
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Beneath his feet, the angel crushes a dark, amorphous figure representing the devil, who writhes in defeat. This central struggle between good and evil is a core theme.
In the background, a celestial scene unfolds. Two figures, likely saints or prophets, stand with hands clasped in prayer, looking up at Michael with reverence. To the far left, a small figure in a green robe kneels, also in adoration, emphasizing the viewers humble position before divine power. The overall background is painted in muted, earthy tones, with faint outlines of figures and possibly a stylized landscape, drawing the focus to the triumphant archangel.
The subtext of the painting is deeply rooted in Christian theology and iconography. Archangel Michael is traditionally seen as the leader of Gods army, the vanquisher of Satan, and a protector of humanity. The act of trampling the devil symbolizes the ultimate triumph of good over evil, light over darkness, and divine order over chaos. Michaels posture and weaponry convey his role as a divine warrior, while the globe in his hand suggests his universal authority and Gods dominion over all creation. The presence of adoring figures underscores Michaels revered status and the solace believers can find in his protective power. The painting serves as a visual testament to faith, divine intervention, and the assurance of ultimate victory for righteousness.