Icon of the Mother of God of the Sign
ок.1680
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Within the sphere formed by her outstretched arms, a smaller figure is depicted – a child in red robes holding a scroll. The child’s gaze mirrors that of the woman, establishing a visual connection and suggesting shared significance. This inner figure appears almost as a separate entity, yet inextricably linked to the larger form encompassing it.
Flanking the central composition are two winged figures, one rendered in shades of blue and the other in red. Their postures suggest movement and dynamism, contrasting with the stillness of the woman at the center. The wings themselves appear stylized rather than naturalistic, contributing to a sense of otherworldly presence.
The surface of the painting exhibits considerable age and wear; cracks and discoloration are visible across the gold leaf and painted areas. This patina of time adds depth and character to the work, hinting at its history and devotional use. The inscriptions above and below the figures appear in an unfamiliar script, likely conveying prayers or dedications related to the subject matter.
Subtly, the painting conveys themes of maternal protection, divine revelation, and spiritual guidance. The gesture of outstretched arms suggests a welcoming embrace, while the child’s scroll might symbolize knowledge or prophecy. The winged figures could be interpreted as messengers or guardians, adding layers of symbolic meaning to the scene. Overall, the work evokes a sense of quiet contemplation and profound religious devotion.