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Surrounding these central figures are numerous smaller panels, each containing individual portraits framed by halos. These portraits appear to represent various saints or biblical characters, though their specific identities remain ambiguous without further contextual information. The faces within these portraits are characterized by solemn expressions and a certain austerity.
The color palette is restrained, dominated by earthy tones of brown, green, and red. Gold leaf accents highlight the halos and other significant details, adding a touch of opulence to the overall composition. The application of paint appears deliberate but somewhat rough, suggesting a focus on conveying spiritual meaning rather than achieving photographic realism.
The arrangement of figures suggests a hierarchical structure, with the central crucifixion scene holding the most visual weight. The surrounding portraits seem to act as witnesses or participants in this pivotal event. A lower panel depicts a maternal figure cradling an infant, evoking themes of protection, lineage, and perhaps mourning.
Subtly embedded within the composition are indications of decay and damage – flaking paint, cracks in the wood – which contribute to a sense of time’s passage and the enduring nature of faith despite physical deterioration. The overall effect is one of profound solemnity and spiritual contemplation, hinting at a tradition steeped in ritual and veneration.