Vincent van Gogh – Large Plane Trees (The Road Menders)
1889. 73.4 x 91.8 cm.
Location: The Cleveland Museum of Art, Cleveland.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed an expressive application of paint, utilizing thick impasto strokes that imbue the foliage with a tactile quality and contribute to a sense of dynamism. The color palette is warm, predominantly featuring yellows, oranges, and greens, though cooler tones are present in the shadows and within the stonework. This interplay creates visual depth and enhances the perception of sunlight filtering through the trees.
The scale of the plane trees dwarfs the human figures, suggesting themes of natures power and resilience. The road itself can be interpreted as a metaphor for life’s journey – a path that is both arduous (indicated by the road mending) and beautiful (framed by the majestic trees). The presence of the workers suggests labor and perseverance, while the distant figures evoke a sense of community and shared experience.
The arrangement of the buildings in the background, with their shuttered windows and muted colors, creates an atmosphere of quietude and introspection. They seem to recede into the landscape, further emphasizing the dominance of nature. The overall effect is one of contemplative observation – a moment captured where human activity intersects with the grandeur of the natural world. Theres a subtle melancholy present, perhaps stemming from the transient nature of labor and the passage of time, all set against an enduring backdrop of ancient trees.