Vincent van Gogh – Landscape at Saint-Remy
1889. 73.5 x 92.0 cm.
Location: Museum of Arts, Indianapolis.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The middle ground features a cluster of buildings nestled into the hillside, their forms simplified and somewhat abstracted. The structures are painted with muted tones – creams, grays, and pale blues – which blend them subtly into the surrounding terrain. A church spire rises above the village, offering a vertical counterpoint to the horizontal expanse of the fields and hills.
The background is defined by imposing mountains that rise dramatically against the sky. The artist employed a palette of cool greens, blues, and grays to depict these geological formations, emphasizing their scale and solidity. Above them, the sky swirls with dynamic brushwork; patches of blue are interspersed with areas of white and gray, creating an impression of movement and atmospheric instability.
The application of paint is characterized by vigorous, visible strokes that contribute to a sense of texture and energy throughout the scene. The color choices, while seemingly naturalistic at first glance, possess a heightened intensity and emotional resonance. The overall effect is one of both tranquility and underlying tension – a landscape imbued with a palpable feeling of human presence within a powerful, indifferent nature.
Subtly, there’s an implication of cyclical time; the harvested field suggests completion, but also anticipates renewal. The solitary figure reinforces this sense of continuity – a small element within a larger, enduring system. The turbulent sky and imposing mountains hint at forces beyond human control, suggesting themes of resilience and adaptation in the face of adversity.