Vincent van Gogh – The Factory at Asnieres
1887. 46.5 x 54.0 cm
Location: Barnes Foundation, Merion.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Красиво
You cannot comment Why?
The color palette is muted, primarily consisting of earthy tones – ochres, browns, grays – with occasional flashes of red from the roofing material. The application of paint is vigorous; short, broken brushstrokes create a textured surface that conveys both the physicality of the environment and a certain visual instability. This technique lends an almost tactile quality to the buildings and ground, suggesting their rough materiality.
A solitary figure, clad in dark clothing, stands near the center foreground, seemingly observing the scene or engaged in some task related to the factory’s operations. The scale of this individual is diminished by the vastness of the industrial landscape, emphasizing a sense of human insignificance within the context of mechanized production.
Several large wooden structures, possibly barrels or containers, are scattered throughout the foreground and along the left side of the composition. These objects contribute to the overall impression of industry and storage, further reinforcing the painting’s focus on labor and material processes. The presence of what appears to be steam or vapor rising from the right side adds a dynamic element to the scene, suggesting ongoing activity and potentially hinting at the environmental impact of industrial operations.
Subtly, there is an underlying melancholy conveyed through the subdued color scheme and the depiction of a seemingly desolate environment. While the painting does not explicitly condemn industry, it evokes a sense of alienation and perhaps even a quiet lament for the human cost associated with such endeavors. The lack of vibrant life – the absence of people beyond the solitary figure – contributes to this feeling of isolation and underscores the impersonal nature of industrial work.