Vincent van Gogh – The Woodcutter (after Millet)
1890. 43.5 x 25.0 cm.
Location: Van Gogh Museum, Amsterdam.
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The background is dominated by vertical, Impressionistic strokes of pale green and yellow, evocative of a dense forest or reeds. These strokes create a sense of depth and enclosure, focusing the viewers attention on the woodcutter and his task. The ground is rendered in earthy tones, with patches of green suggesting sparse vegetation and rough, uneven terrain. The entire scene is painted with visible brushstrokes, imbuing the work with a sense of movement and energy.
The subtext of this painting, The Woodcutter (after Millet), lies in its exploration of manual labor and the dignity of common work. In referencing Jean-François Millet, a painter renowned for his depictions of peasant life, Vincent van Gogh pays homage to the strength and resilience of the working class. The obscured face of the woodcutter suggests that he is representative of all laborers, his identity subsumed by the universal nature of his toil. The painting can be seen as a meditation on human effort against the forces of nature, a portrayal of physical exertion and the connection between man and the earth. Van Goghs characteristic vibrant palette, even in its subdued tones here, imbues the scene with a certain intensity, hinting at the raw energy and perhaps the quiet dignity of the woodcutters life. The repetition of vertical forms, both in the background trees and the woodcutters stance, might subtly emphasize the theme of persistent effort.