Château de Versailles – Louis Michel van Loo -- Louis XV, King of France and Navarre (1710-1774)
1760, 227х184
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Картинка не скачивается в полном размере!
You cannot comment Why?
The clothing is elaborate, consisting of a richly embroidered coat adorned with fleur-de-lis motifs in gold and blue, indicative of royal lineage. A voluminous white mantle drapes over his shoulders, its folds carefully arranged to suggest both grandeur and relaxed ease. The details of the footwear are also visible, contributing to the overall sense of opulence.
The throne itself is a significant element; it’s heavily gilded and decorated with floral patterns, symbolizing power and dominion. Behind the throne, heavy draperies in shades of pink and blue create depth and reinforce the atmosphere of luxury. The lighting is carefully controlled, highlighting the subjects face and garments while leaving portions of the background in shadow. This technique draws attention to his status and reinforces a sense of solemnity.
Beyond the overt display of royal symbols, there are subtle cues that suggest more than just a straightforward portrait. The relaxed posture, with one hand resting on the staff and the other casually positioned, hints at an attempt to portray accessibility alongside power. The direct gaze establishes a connection with the viewer, potentially inviting them to acknowledge or even identify with the figures authority.
The overall effect is not merely of representation but of construction – a deliberate presentation of royal identity designed to project an image of strength, legitimacy, and benevolent rule. The painting functions as a visual declaration of power, intended to inspire respect and reinforce the subject’s position within the social hierarchy.