Jacques-Louis David – Marat, dead; study after nature of the head of Jean-Paul Marat, assassinated 13 July 1793 Château de Versailles

The drawing presents a study of a deceased male head, rendered in meticulous detail with charcoal and chalk on paper. The subject lies tilted slightly to his right, eyes closed, suggesting repose or perhaps the finality of death. A simple white cloth is bound around his head, partially concealing the hairline and contributing to an overall sense of austerity and solemnity.
The artist’s focus appears centered on capturing the physical characteristics of the face – the subtle contours of the cheekbones, the slight indentation of the nostrils, the gentle curve of the lips. The shading is carefully employed to model form and create a palpable sense of volume. A delicate hatching technique defines the texture of the skin, conveying both its smoothness and the underlying structure of muscle and bone.
The composition is framed by inscribed text along each edge: A. THIBAUT, LAMI, DU SECRETE, and “DAVID.” These inscriptions suggest a collaborative effort or perhaps a dedication to someone involved in the creation or preservation of the work. The placement of these names within the frame also serves to contextualize the study, hinting at its origin and purpose.
Beyond the purely representational aspects, the drawing evokes a profound sense of loss and memorialization. The stillness of the face, combined with the simple head covering, lends an air of dignity and sacrifice. It is not merely a portrait but a record of a moment frozen in time – a poignant reminder of mortality and perhaps a subtle commentary on political violence or martyrdom. The study’s intimate scale encourages close observation, inviting contemplation of the individuals humanity within the context of larger historical events.