Attributed to Nicolas René Jollain the Elder – Portrait of Louis XIV Holding the Plan for the Maison Royale de Saint-Louis at Saint-Cyr Château de Versailles

The composition presents a seated figure in opulent attire, dominating the visual field. He is positioned slightly off-center, his gaze directed towards the viewer with a measured and assured expression. The background consists of dark, heavy drapery that recedes into shadow, emphasizing the subject’s prominence and creating a sense of depth. Light falls dramatically upon him, highlighting the textures of his garments and illuminating his face.
The figure is clad in an elaborate ceremonial robe of deep blue, trimmed with intricate gold embroidery depicting heraldic symbols. Beneath this, one observes a rich orange-red doublet peeking from beneath the collar. The sleeves are lined with white lace, adding to the overall impression of luxury and power. He wears pristine white gloves, a further indication of his elevated status. A voluminous, starched lace jabot adorns his neck, contributing to the formality of the presentation.
In his left hand, he holds a rolled document – a plan or blueprint – which appears to depict architectural designs. The presence of this document is significant; it suggests an active role in construction and planning, associating him with progress, order, and the tangible manifestation of royal authority. It’s not merely decorative but serves as a symbolic prop.
The artist has rendered the figures hair with meticulous detail, using dark tones to create volume and texture. The pose is one of relaxed authority; he leans slightly forward, conveying an air of confidence and control. His left leg rests casually on a cushioned footstool, further reinforcing this impression of ease and dominion.
The overall effect is one of carefully constructed grandeur intended to project power and legitimacy. The meticulous attention to detail in the rendering of fabrics, jewelry, and facial features underscores the importance of portraying an image of regal splendor. Subtly, the painting conveys a message about royal patronage of the arts and architecture, linking the figure directly with projects that enhance his kingdom’s prestige and legacy.