Gustave Boulanger – Rehersal of The Flute Player and The Wife of Diomedes in the atrium of Prince Napoleon’s Pompeian house in Paris in 1860 Château de Versailles

The scene unfolds within a meticulously rendered atrium, evoking a Roman domestic space reconstructed with considerable detail. The architecture dominates – substantial columns support an archway framing another room, further emphasizing depth and creating a layered perspective. Walls are adorned with vibrant frescoes depicting mythological narratives, contributing to the overall sense of historical authenticity and refined taste.
Here we see a group engaged in what appears to be a theatrical rehearsal. A man in a crimson robe gestures animatedly towards an actor, who is positioned near a statue of a winged figure – likely representing a deity. The other figures are arranged around a low platform or couch covered with animal fur. A male musician, seated on the platform, holds a flute, while a woman reclines languidly nearby, seemingly observing the proceedings. A young woman in green stands attentively, and another, adorned in blue, appears to be interacting with a small dog.
The lighting is carefully orchestrated; it highlights certain figures and architectural elements while leaving others in shadow, contributing to a sense of drama and focus. The color palette is rich and warm, dominated by reds, yellows, and greens, which further enhances the impression of opulence and refinement.
Subtexts within this composition suggest an exploration of artistic creation and patronage. The presence of the man in red – presumably a wealthy patron or director – indicates the commissioning and oversight of artistic endeavors. The theatrical rehearsal itself implies a focus on entertainment and spectacle, reflecting the tastes of the elite class. The meticulous recreation of Roman architecture and art suggests a fascination with antiquity and a desire to emulate classical ideals.
Furthermore, the arrangement of figures hints at social hierarchies and relationships within this setting. The reclining woman’s posture conveys a sense of leisure and privilege, while the attentive stances of others suggest deference or participation in the artistic process. The inclusion of the dog adds a touch of domesticity and reinforces the image of a cultivated and refined household. Overall, the work presents a carefully constructed tableau that speaks to themes of art, patronage, social status, and the allure of classical antiquity.