Louis Michel van Loo – Louis-Auguste, Duke of Berry (1754-1793) Château de Versailles

Here we observe a portrait rendered in the Rococo style, presenting a young man within an oval frame set against a dark background. The subject is positioned at a three-quarter angle, his gaze directed towards the viewer with a composed and somewhat detached expression. His complexion appears pale, accentuated by the rich coloration of his attire.

The individual is adorned in a vibrant red coat, heavily embroidered with gold floral motifs that suggest opulence and status. A striking blue sash or mantle drapes across his shoulders, fastened at the neck with an elaborate white lace jabot. The detailing on the fabrics – the sheen of the velvet, the texture of the embroidery – is meticulously rendered, demonstrating a high level of technical skill in capturing material qualities.

The man’s hair is styled in the fashionable à la militaire fashion of the mid-18th century: powdered white and arranged into voluminous curls that frame his face. This hairstyle, along with the elaborate clothing, serves to emphasize his aristocratic standing. He holds a dark object – likely a document or fan – in his left hand, positioned close to his body; this gesture could be interpreted as conveying a sense of control or authority.

The lighting is carefully orchestrated to highlight the subject’s face and upper torso, creating a dramatic contrast between light and shadow that enhances the three-dimensionality of the figure. The dark background serves to isolate him, drawing attention solely to his personage and reinforcing his importance.

Subtly, theres an air of formality and restraint conveyed through the pose and expression. While the clothing is flamboyant, the man’s demeanor suggests a consciousness of duty and decorum expected of someone in a position of privilege. The overall effect is one of carefully constructed grandeur intended to project power and lineage.