Diego Rodriguez De Silva y Velazquez – Portrait of Infanta Maria Thérèsa of Austria
1650, 71х60
Location: Louvre (Musée du Louvre), Paris.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child’s clothing is elaborate and richly detailed. A white dress, adorned with intricate lace and embroidery around the neckline and sleeves, forms the base layer. Over this, she wears a complex headdress constructed from layers of fabric, ribbons, and what appear to be artificial flowers or fruit. The construction of the headdress is particularly noteworthy; it creates significant volume and height, drawing attention upward and emphasizing her status. The color palette is restrained, primarily consisting of whites, creams, and subtle shades of pink and red, with the dark background providing a stark contrast that enhances the luminosity of the subject’s garments.
The meticulous rendering of textures – the sheen of the fabrics, the delicate details of the lace, the soft quality of her skin – suggests an emphasis on portraying wealth and refinement. The overall effect is one of formality and controlled emotion.
Subtly embedded within the portrait are elements that likely carry symbolic weight. The presence of fruit or flowers in the headdress could allude to themes of fertility, abundance, or innocence. The dark background, while visually simple, might represent a sense of responsibility or the weighty expectations placed upon her. The child’s direct gaze suggests an awareness of her position and perhaps a nascent understanding of her future role within a hierarchical society. The painting functions not merely as a likeness but also as a visual statement about lineage, power, and the carefully constructed image of royalty.