Tatars go. End of XIV century (they come! Tatar raids on Moscow). 1909 Apollinaris M. Vasnetsov (1856-1933)

The composition presents a scene viewed from an elevated vantage point, likely a fortified structure overlooking a city and a wide river. The perspective is somewhat flattened, contributing to a sense of immediacy and emphasizing the narrative aspect over spatial realism. A group of figures, clad in vibrant red garments, dominate the foreground. They are positioned along a parapet or rooftop, their gestures suggesting observation and anticipation – one figure points towards the distance, while others appear to be scanning the horizon. Their posture conveys a mixture of vigilance and apprehension.
Below them, the city sprawls across the landscape. Buildings are rendered in simplified forms, with an emphasis on the distinctive onion domes of numerous churches or cathedrals. The river acts as a visual divider between the urban area and a more distant, hazy terrain. Smoke rises from various points within the cityscape, hinting at potential conflict or destruction.
The color palette is striking. The intense red of the figures’ clothing contrasts sharply with the muted greens, blues, and browns of the city and landscape. This chromatic disparity draws immediate attention to the group on the parapet, establishing them as central actors in the unfolding drama. The sky is overcast, contributing to a somber mood and suggesting an atmosphere of uncertainty.
Subtly, the painting conveys themes of threat and defense. The figures’ posture and attire suggest a military or protective role; they are not simply observers but participants in a situation demanding readiness. The smoke rising from the city implies past or impending danger, while the river acts as both a barrier and a potential avenue for invasion. The elevated perspective reinforces the sense of vulnerability – the figures are exposed, yet positioned to survey and potentially respond to approaching threats. There is an underlying tension between the beauty of the cityscape and the looming possibility of violence.