Titian – Jacopo Pesaro, Bishop of Paphos, being Presented by Pope Alexander VI to Saint Peter
1506-11. 168х206
Location: Royal Museum of Fine Arts, KMSKA, Antwerp (Koninklijk Museum Voor Schone Kunsten, KMSKA).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To his right, a kneeling figure, clad in elaborate ecclesiastical robes, gestures towards the seated man. The intensity of his gaze and the forward lean of his body convey deference and supplication. He carries a banner displaying heraldic symbols, indicating his status and allegiance. Behind him stands another male figure, also dressed as a high-ranking cleric, with an imposing presence and ornate headwear. His hand is raised in what could be interpreted as a blessing or bestowal.
The background reveals a cityscape extending to the sea, populated by ships and buildings. This maritime setting suggests a connection to Venice, given the distinctive architecture and naval vessels visible. The inclusion of this landscape provides context for the event depicted, grounding it within a specific geographical location and hinting at political or economic significance.
A checkered floor pattern occupies the foreground, creating a visual barrier between the figures and the viewer while also contributing to the overall sense of formality and ceremony. A small plaque is affixed to the lower edge of the canvas, bearing an inscription that likely details the event or individuals portrayed.
Subtleties within the painting suggest layers of meaning beyond the immediate presentation of authority. The contrast in lighting highlights the central figures, drawing attention to their roles in the scene. The sculpted reliefs on the platform beneath the seated man may allude to his lineage or past deeds, reinforcing his position of power. The inclusion of the seascape could symbolize Venice’s maritime dominance and its relationship with the Church. Overall, the work appears to be a carefully constructed visual statement about political patronage, religious authority, and civic pride within a specific historical context.