Fight the good spirits from evil Vasily Ivanovich Surikov (1848-1916)

The drawing presents a tumultuous scene dominated by figures engaged in violent conflict within a swirling, atmospheric space. Here we see a central figure, seemingly male and muscular, locked in a struggle with multiple demonic entities. He appears to be actively wrestling with one creature, its form vaguely reptilian and possessing large, bat-like wings. Other figures, both angelic and monstrous, populate the composition, their forms intertwined in a chaotic dance of attack and defense.
The artist employed a dynamic linear system to convey movement and energy. Lines are used not only to define shapes but also to suggest swirling winds and the overall sense of upheaval. The lack of extensive shading contributes to an ethereal quality; the figures appear almost spectral, existing within a realm beyond earthly constraints. This absence of tonal variation emphasizes the drawing’s focus on form and gesture, prioritizing the narrative over realistic depiction.
The composition is complex, with overlapping forms creating depth and visual interest. A sense of hierarchy exists, with the central figure positioned at the apex of the action, suggesting his role as a protagonist in this cosmic battle. The surrounding figures are arranged around him, contributing to the overall feeling of dramatic tension.
Subtexts within the drawing suggest a thematic exploration of good versus evil, divine intervention against malevolent forces. The presence of winged beings on both sides implies that even those associated with virtue can be embroiled in conflict. The swirling background and lack of grounding elements evoke a sense of timelessness and universality; this is not merely a localized battle but a representation of an eternal struggle.
The inscription at the top, though illegible without translation, reinforces the drawing’s narrative purpose, likely providing context or commentary on the depicted events. It serves as a visual anchor, grounding the fantastical scene within a specific conceptual framework. The circular mark in the upper right corner might indicate a seal or signature, further suggesting that this is an official record of some kind – perhaps a depiction of a significant spiritual event.