Krasnoyarsk rebellion in 1695 Vasily Ivanovich Surikov (1848-1916)

The drawing depicts a tumultuous scene of unrest and confrontation within what appears to be a densely populated urban environment. Here we see a throng of figures engaged in a chaotic interaction; their postures suggest both aggression and defensiveness. The composition is dominated by the central mass of people, rendered with energetic lines that convey movement and emotional intensity.
The foreground is characterized by a cluster of individuals clad in red garments, seemingly positioned as participants or instigators within this event. They are armed with what appear to be scythes and other agricultural implements, suggesting an uprising composed of common folk. The artist has emphasized their forward momentum through the diagonal lines of their bodies and weapons.
Behind them, a larger group is visible, their faces largely obscured by the density of the crowd. Their expressions are difficult to discern, but their proximity to the central figures implies involvement in the unfolding conflict. A sense of urgency pervades the scene; the overlapping forms and hurried strokes contribute to an atmosphere of disorder and potential violence.
In the background, a church with a distinctive onion dome rises above the surrounding structures. This architectural element serves as a visual anchor, grounding the event within a specific geographical context and potentially alluding to the religious or societal factors that may have contributed to the uprising. The buildings are sketched in a simplified manner, prioritizing their function as backdrop rather than detailed representations.
The color palette is restrained, primarily utilizing shades of red, gray, and brown. This limited range reinforces the somber tone of the scene and directs attention towards the figures themselves. The artist’s use of hatching and cross-hatching creates depth and texture, enhancing the sense of immediacy and realism.
Subtly, there is a suggestion of social stratification; while all participants appear to be commoners, the red garments worn by some might indicate leadership or a specific faction within the rebellion. The church in the background could symbolize authority or tradition being challenged by the actions unfolding below. Overall, the drawing captures a moment of intense societal upheaval, hinting at underlying tensions and struggles for power.