Costume design for Marquise for T. P. Karsavina (for dance to music by Mozart) Konstantin Andreevich Somov (1869-1939)

The drawing presents a figure in elaborate attire, seemingly a study for a theatrical costume. The subject is positioned centrally within the composition, her gaze directed outward with a subtle expression that suggests both poise and perhaps a touch of melancholy. She holds a length of fabric, likely part of the garment itself, which drapes elegantly from her hand, drawing attention to the intricate detailing of the dress.
The gown’s design is characterized by its voluminous silhouette, typical of 18th-century aristocratic fashion. A vibrant yellow dominates the main body of the dress, contrasted with vertical bands of blue and a delicate floral pattern that adds visual complexity. The trim around the neckline and sleeves features an ornate arrangement of white lace and what appears to be embroidered detailing in shades of blue and gold. A dark cape or cloak is loosely draped over her shoulders, its edges blurred and indistinct, contributing to a sense of movement and theatricality.
The figure’s hair is styled high with elaborate curls and adorned with decorative elements – likely jewels or ribbons – that reinforce the impression of wealth and status. Her complexion appears pale, accentuated by the dark shadows cast upon her face and shoulders. These shadows are not merely representational; they contribute to a sense of depth and drama within the drawing.
The background is rendered in muted tones, allowing the figure and her costume to remain the focal point. The lack of specific contextual details suggests that this is primarily a study focused on the design itself rather than a depiction of a scene or narrative.
Subtly, theres an air of fragility conveyed by the subject’s posture and expression. While the opulent dress signifies power and privilege, her gaze hints at something beyond mere display – perhaps a quiet introspection or a sense of burden associated with her elevated position. The drawing seems to explore not only the aesthetics of costume design but also the psychological implications of embodying a particular social role.