Kiss Konstantin Andreevich Somov (1869-1939)

Here we observe a scene of intimate embrace framed by an elaborate trellis of foliage. Two figures, presumably a man and a woman, are positioned centrally within this enclosure. The woman is seated on what appears to be a stone ledge or bench, her body angled towards the man who kneels before her. Their faces are pressed together in a kiss; their bodies are close, suggesting an intense emotional connection.
The man’s attire consists of a red jacket with intricate detailing and white breeches, indicative of a certain social standing. The woman is dressed in a flowing orange gown, the fabric seemingly soft and luxurious. Both figures possess elaborate hairstyles characteristic of a specific historical period – the mans powdered wig adding to his formal appearance while the woman’s coiffure suggests elegance and refinement.
The surrounding foliage, rendered in muted greens and whites, creates an atmosphere of seclusion and privacy. The trellis itself appears almost architectural, suggesting a deliberate construction designed to shield the couple from outside observation. This enclosure contributes significantly to the overall sense of secrecy and heightened emotion within the scene.
Beyond the immediate depiction of affection, the work seems to explore themes of clandestine romance and societal constraints. The enclosed setting implies that this display of intimacy is occurring in secret, perhaps defying social norms or expectations. The formal attire of the figures suggests a world governed by rules and propriety, making their passionate embrace all the more poignant.
The artist’s choice of color palette – the warm tones of the clothing contrasting with the cooler greens and whites of the foliage – further enhances the emotional impact of the scene. The overall effect is one of delicate beauty combined with an undercurrent of forbidden desire. The initials C.S. at the bottom corner suggest a possible attribution or dedication, adding another layer to the works potential narrative.