Models 1 Konstantin Andreevich Somov (1869-1939)

The drawing presents a study of the human figure, executed in charcoal on paper. Four distinct poses are depicted within a confined rectangular space, each offering a different perspective on the female form. The composition lacks a clear background; the figures appear isolated against an undefined plane, directing focus solely to their anatomical structure and movement.
Two figures dominate the upper portion of the drawing. One stands in profile, arms raised overhead, her head tilted slightly upward as if caught mid-gesture. Her posture suggests a sense of reaching or perhaps a tentative dance pose. The second figure is positioned closer to the viewer, also with raised arms, but its body is angled more dramatically, creating a dynamic diagonal line across the composition. This figure’s stance conveys an impression of instability and potential movement.
Below these standing figures are two reclining poses. One lies prone, face turned towards the viewer, exhibiting a relaxed yet vulnerable posture. The other reclines on its side, legs extended, presenting a study in elongated form and subtle curvature. These lower positions offer a contrast to the upright dynamism of the upper figures, grounding the composition with an element of repose.
The artist’s handling of charcoal is expressive; lines are loose and gestural, conveying a sense of immediacy and observation rather than precise anatomical detail. The shading is minimal but effective in defining form and volume. Theres a deliberate roughness to the execution, suggesting that this work functions as a preparatory study – a rapid exploration of poses and proportions.
Subtly, the arrangement of figures suggests a narrative or sequence. It’s possible to interpret them as stages of movement, from initial reach to relaxed repose. The lack of contextual detail encourages viewers to contemplate the essence of human form and gesture, stripped bare of any extraneous elements. The drawings overall effect is one of fleeting observation and an exploration of the body in motion.