Konstantin Andreevich Somov – Walk after the rain
1896.
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Several figures populate this space. In the immediate foreground, three men are seated on an ornate bench. Their attire – top hats and formal coats – suggests a certain social standing, yet their postures convey a weariness or introspection rather than joviality. The man closest to the viewer appears to be gesturing, perhaps in conversation with his companions, but his expression remains unreadable. Further back, a woman sits on another bench, partially obscured by foliage; her presence adds a touch of domesticity and solitude to the scene. A child is sprawled on the grass near her, seemingly lost in their own world.
The landscape itself is structured around a dense hedge that rises vertically from the middle ground, creating a visual barrier between the figures and the distant horizon. Beyond this hedge, glimpses of trees and buildings are visible under a sky streaked with lingering rain clouds and a vibrant arc of a rainbow. The rainbow’s placement – high in the composition and slightly off-center – introduces an element of hope or promise, though its effect is tempered by the overall somber mood.
Statuary is incorporated into the design; two figures are placed within the hedge, adding to the sense of formality and perhaps alluding to classical ideals. The placement of these statues, however, does not convey triumph or grandeur but rather a quiet presence within the landscape.
The color palette reinforces this atmosphere. Muted greens and browns dominate, punctuated by touches of yellow and grey that evoke the dampness and overcast conditions. The overall effect is one of restrained emotion – a moment suspended between sadness and hope, captured in a scene of everyday life after a storm. The artist seems to be exploring themes of social interaction, solitude, and the transient nature of beauty within a carefully constructed environment.