Konstantin Andreevich Somov – Copy of the portrait of Simonetta Vespucci by Piero di Cosimo
1930.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The seated woman wears a richly embellished dress, its fabric suggesting considerable wealth and status. Her gaze is directed outward, beyond the viewer, conveying a sense of detachment or perhaps preoccupation. A dark shawl drapes over her shoulders, adding to the overall impression of opulence. The lighting highlights the textures of their garments and emphasizes the delicate details of the ornamentation.
Behind these central figures, a gathering of individuals can be discerned. They are partially obscured by foliage and distance, but appear to be engaged in conversation or observation. A table draped with white linen is visible amongst them, hinting at refreshments or a social event. Above this group, strings of lights illuminate the scene, creating an atmosphere of festivity and artificiality.
The artist’s use of muted colors – predominantly yellows, greens, and browns – contributes to the melancholic mood. The indistinct background and blurred edges create a sense of dreamlike ambiguity, suggesting that the depicted moment is fleeting or perhaps idealized. Theres an air of quiet formality, yet also a subtle undercurrent of unease or melancholy conveyed through the women’s expressions and postures.
The painting seems to explore themes of beauty, social ritual, and the complexities of female relationships within a privileged setting. The act of assistance between the two women could be interpreted as a gesture of friendship, but also potentially one of subtle power dynamics or veiled observation. The overall effect is one of restrained elegance tinged with an underlying sense of introspection and perhaps even isolation.