Konstantin Andreevich Somov – Still life. Interior
1931.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the mirror, a substantial blue vase holds a vibrant arrangement of flowers. These blooms – a mix of pinks, purples, and reds – are rendered with loose brushstrokes, conveying a sense of fleeting beauty and organic vitality. The flowers are not meticulously detailed; instead, their forms are suggested through color and texture, contributing to the overall impression of spontaneity.
Scattered around the base of the vase are various small objects: miniature figurines, ceramic vessels, and what seems to be a decorative tray holding additional items. These details add layers of narrative intrigue, hinting at the personal history and tastes of the rooms inhabitant. The arrangement feels deliberately casual, as if these objects have been placed without rigid formality.
The wall itself is rendered in muted earth tones – ochre and beige – which create a warm, enveloping atmosphere. Two framed pictures are affixed to the wall, their contents indistinct but contributing to the sense of lived-in space.
Light plays an important role in shaping the scene. It appears to originate from an unseen source on the left, illuminating the flowers and casting soft shadows across the objects. The light is not harsh; it creates a gentle, diffused glow that enhances the paintings overall mood of quiet contemplation.
Subtly, the work explores themes of domesticity, memory, and the passage of time. The mirror acts as a symbolic portal to another realm or moment, while the flowers represent both beauty and transience. The collection of objects suggests a personal narrative – a glimpse into the life of someone who values beauty and finds solace in familiar surroundings.