Exlibris VI Klochkova 4 Sergey Sergeyevich Solomko (1867-1928)

The drawing presents a curious architectural fantasy framed by elaborate organic motifs. Here we observe a structure resembling a pavilion or small temple, its roof shaped like the crest of a peacock, with detailed feathering meticulously rendered. The buildings facade is arched and appears to be constructed from rough-hewn stone, suggesting antiquity or a deliberate evocation of medieval architecture.

Within this space, two figures are depicted in what seems to be an exchange. A woman, dressed in a long, flowing gown with intricate detailing at the neckline, stands facing a man wearing more informal attire – a tunic and trousers. The man’s posture suggests he is presenting something to her; his hand is extended towards her, while she appears to receive it with a gesture of acceptance or curiosity. Their interaction lacks overt emotional expression, maintaining a certain formality and distance.

The surrounding ornamentation contributes significantly to the drawings overall atmosphere. Dense foliage – vines, leaves, and tendrils – encircle the structure, partially obscuring its base and creating an impression of it being overgrown by nature. This juxtaposition of man-made architecture and untamed vegetation introduces a subtextual layer concerning the passage of time, the relationship between civilization and wilderness, or perhaps even the fragility of human endeavors against the backdrop of natural processes.

Inscribed above the archway is text in Cyrillic script, likely identifying the owner or purpose of this imagined space. Below the figures, further Cyrillic lettering indicates a location – “SPb Liteyny pr.” (St. Petersburg, Liteyny Avenue) – grounding the fantastical scene within a specific geographical context. The presence of these inscriptions suggests that the drawing functions as an ex libris, a mark of ownership or association with a particular collection or individual.

The artist’s use of line is particularly noteworthy; its precise and detailed, lending weight to every element. The monochromatic palette contributes to a sense of age and timelessness, reinforcing the impression that this scene exists outside of any specific historical period. Overall, the drawing conveys an air of quiet contemplation, blending architectural fantasy with symbolic representation and personal identification.