Costume Designs 3, ЧС Sergey Sergeyevich Solomko (1867-1928)

Here we observe a watercolor and pencil drawing depicting a male figure in elaborate costume. The composition is straightforward: the subject stands facing forward, presented in a three-quarter view that allows for a detailed rendering of the attire. The background is largely unrendered, fading into darkness which directs focus entirely onto the costumed individual.
The man’s posture suggests a degree of formality and perhaps restrained authority. His gaze is directed upwards, conveying an air of introspection or regal bearing. He holds one hand slightly extended, as if gesturing or presenting himself. The costume itself appears to be a layered arrangement, suggesting a character of significance within a theatrical production. A dark tunic forms the base layer, accented with intricate embroidery around the collar and cuffs. Over this is draped a voluminous, grey robe that falls in soft folds, creating visual texture and adding to the sense of grandeur. A wide yellow sash cinches the waist, providing a striking contrast against the darker tones of the undergarments and outer robe. The headwear consists of a close-fitting cap adorned with what appears to be green fabric or embellishment. The footwear is visible at the ankles – pointed shoes in a pale turquoise hue.
Subtleties within the drawing suggest deeper layers of meaning. The muted color palette, dominated by greys and blacks punctuated by the yellow sash and green headwear, evokes a sense of solemnity or perhaps even melancholy. The quality of the rendering – the careful attention to fabric folds and detailing – implies that this is not merely an illustration but a considered design intended to convey specific character traits and social standing. The upward gaze could signify aspiration, spiritual connection, or a burden of responsibility.
The handwritten notations at the top and bottom of the sheet provide contextual clues without explicitly identifying the work. The presence of dates (Easter 48) and what appears to be a name (“Dossier 1”) indicates that this is likely a design study for a theatrical production, possibly part of a larger collection or project. The numbering 2 suggests its one of several costume designs. Overall, the drawing communicates an impression of carefully considered characterization through meticulous attention to detail in both form and color.