Morning in a pine forest. End of 1880 23, 2h33, 5 Ivan Ivanovich Shishkin (1832-1898)

The drawing presents a densely wooded scene, executed in charcoal with evident textural variation achieved through differing degrees of pressure and smudging. Here we see a thicket of pine trees dominating the composition, their trunks rendered as dark, vertical masses that recede into the background. The artist employed a loose, almost sketch-like approach to depicting foliage; individual needles are not delineated but suggested by agitated marks, creating an impression of depth and atmospheric haze.
A fallen tree trunk lies prominently in the foreground, its rough surface indicated through short, choppy strokes. This element introduces a sense of decay and the cyclical nature of life within the forest environment. Two animal figures – likely bears – are positioned within this landscape. One is perched atop the fallen log, while the other sits on a lower branch, both appearing to observe the viewer or some unseen event. Their placement contributes to an overall feeling of quiet contemplation and undisturbed natural order.
The light source appears to be diffused, filtering through the canopy above. This creates a muted tonal range, with areas of deep shadow contrasting against lighter patches where the foliage thins. The artist’s use of charcoal allows for a remarkable range of values, enhancing the sense of depth and volume within the scene.
Subtly, the drawing evokes themes of solitude and introspection. The dense forest acts as both a physical barrier and a metaphorical space for reflection. The presence of the animals suggests an undisturbed ecosystem, untouched by human intervention. Their stillness implies a harmony with their surroundings, inviting the viewer to consider the beauty and tranquility of the natural world. The fallen tree, while signifying decay, also represents renewal – a reminder that even in decline, life persists and transforms.