Portrait of NP Lamanova. 1911 Valentin Serov (1865-1911)

Here we observe a portrait executed in charcoal or pastel on paper. The subject is positioned in a three-quarter view, turned slightly towards the viewer. She stands close to a vertical plane, likely a wall, which serves as a neutral backdrop and emphasizes her form.
The artist has rendered the figure with a loose, expressive style. Lines are not meticulously defined but rather suggest volume and texture through variations in tone and density. The face is characterized by full features – rounded cheeks, a generous mouth, and large eyes that gaze upward and slightly to the left. This upward glance imparts an air of introspection or perhaps quiet contemplation.
The clothing contributes significantly to the overall impression. A high-necked blouse with gathered fabric at the front draws attention to the neck and upper chest area. The dark skirt contrasts sharply with the lighter tones of the blouse, creating a visual separation between the upper and lower body. The treatment of the skirt is particularly economical; it’s suggested rather than meticulously detailed, further emphasizing the focus on the subjects face and upper torso.
The hair is depicted as a mass of curls, rendered with quick, energetic strokes that convey both volume and movement. It frames the face without obscuring its features, contributing to an overall sense of softness and approachability.
Subtleties in the shading suggest a play of light across the figure’s form. The artist has used darker tones to define shadows under the chin and around the eyes, adding depth and dimension. This creates a sense of presence and solidity despite the relatively loose rendering style.
The overall effect is one of quiet dignity and understated elegance. Theres an absence of overt ornamentation or dramatic gesture; instead, the artist seems interested in capturing a moment of private reflection, revealing something of the subject’s inner character through subtle nuances of expression and posture. The work suggests a psychological portrait rather than a purely representational depiction.