Go behind me, Satan Ilya Repin (1844-1930)

The composition presents a solitary figure standing atop a rocky precipice, set against a turbulent and indistinct background. The individual is draped in flowing white robes, suggesting purity or spiritual significance. Their posture conveys a sense of defiance; the arms are outstretched, as if warding off an unseen force.
To the right of the central figure, a swirling mass of crimson and dark hues dominates the scene. This area lacks distinct form, appearing more like an emotional vortex than a concrete entity. It is positioned close to the figure, implying a direct confrontation or temptation. The brushwork in this region is particularly agitated, contributing to a feeling of unrest and potential danger.
The background itself is rendered with broad, sweeping strokes of blue and grey, creating a sense of vastness and atmospheric instability. Details are obscured, which prevents any clear identification of the landscape. This lack of specificity serves to universalize the scene, suggesting that it represents an internal struggle rather than a depiction of a particular place.
The lighting is dramatic; a bright illumination focuses on the figure, highlighting their form against the darker surroundings. The light seems to emanate from within the individual, reinforcing the impression of inner strength and resolve. This contrast between light and shadow contributes significantly to the painting’s emotional intensity.
Subtly, the work explores themes of spiritual trial and resistance. The solitary stance of the figure suggests a personal battle against overwhelming forces. The swirling red mass likely symbolizes temptation or evil, actively encroaching upon the individuals space. The act of rejection – the outstretched arms – indicates a conscious choice to overcome adversity. The indistinct background reinforces the idea that this is not merely a physical location but a symbolic representation of an internal journey and spiritual fortitude.