Portrait of the Artist I. Brodsky Ilya Repin (1844-1930)

The portrait presents a young man in three-quarter view, positioned against a plain, muted background. He is depicted from the chest upwards, his gaze directed towards the viewer with a directness that suggests both confidence and perhaps a touch of melancholy. A wide-brimmed hat casts shadows across his face, partially obscuring one eye and contributing to an air of introspection. The hat’s brim is angled downwards, further emphasizing the brow and forehead, drawing attention to his expression.
The artist employed a loose, impressionistic brushstroke throughout the composition. Details are suggested rather than meticulously rendered; this technique lends a sense of immediacy and spontaneity to the work. The clothing – a jacket over a waistcoat and shirt – is painted with visible texture, the fabric appearing slightly rumpled and worn, hinting at a life lived actively. A single rose is pinned to his lapel, its color providing a small but significant focal point amidst the muted tones of the rest of the attire.
The lighting appears diffused, creating soft gradations of tone across the face and clothing. This contributes to a sense of quietness and intimacy. The overall palette leans towards earthy browns, grays, and creams, with subtle hints of pink in the rose and on the cheeks.
Subtleties within the portrait suggest a complex inner life. The direct gaze could be interpreted as an invitation for connection or a challenge to the viewer. The slightly downturned mouth might indicate pensiveness or quiet determination. The worn clothing and simple accessories imply practicality and perhaps a rejection of ostentation. The rose, a traditional symbol of love and beauty, introduces a layer of romanticism that contrasts with the otherwise understated presentation.
The year 1913 is inscribed in the upper right corner, alongside what appears to be the artists signature, providing temporal context for the work. This date places the portrait within a period of significant social and artistic change, potentially reflecting the sitter’s own position within that evolving landscape.