1970 Buste dhomme Pablo Picasso (1881-1973) Period of creation: 1962-1973

The artwork presents a bust portrait rendered in a fragmented and angular style. Here we observe a male figure depicted from the chest upwards, his features distorted and rearranged according to principles that prioritize expressive impact over realistic representation. The face is dominated by an asymmetrical arrangement of planes; one side exhibits a stark white coloration while the other is shaded with grey and green, creating a sense of visual tension and psychological complexity.
The eyes are disproportionately large and positioned asymmetrically, contributing to the unsettling effect. One eye appears wide and almost startled, while the other is rendered in a more simplified form. The nose is elongated and flattened, merging into the cheekbone structure. A thin mustache adds a touch of formality that contrasts with the overall disquietude of the portrait.
The figure wears what appears to be a dark suit or jacket, its folds suggested through broad brushstrokes and contrasting colors. His hands are clasped in front of him, adorned with rings on several fingers; these details introduce an element of status or perhaps confinement. The background is divided into two distinct zones: a dark grey area behind the figure’s head and a vibrant red-orange section to his right. This abrupt shift in color creates a sense of spatial ambiguity and intensifies the emotional impact of the portrait.
The paintings subtexts revolve around themes of identity, perception, and psychological fragmentation. The distorted features suggest an exploration of inner turmoil or a questioning of conventional notions of beauty and representation. The asymmetry and jarring juxtapositions of colors evoke feelings of unease and disorientation. The rings on his fingers could symbolize power, wealth, or perhaps the burdens associated with them. Ultimately, the work seems to be less about portraying a specific individual and more about conveying a sense of psychological complexity and existential questioning through visual distortion and expressive color choices.