Pablo Picasso Period of creation: 1962-1973 – 1969 Piero Е la presse
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a palette dominated by reds, whites, blacks, and oranges, applied in broad, gestural strokes that create a dynamic surface texture. The red patches seem to pulsate against the white background, while the black lines delineate form but also disrupt any sense of spatial coherence. A horizontal band of orange appears near the bottom, acting as a visual anchor yet failing to ground the composition.
The arrangement of elements suggests a deliberate dismantling of traditional perspective and anatomical representation. The figure’s limbs are elongated and disjointed, appearing more like appendages than integrated parts of a body. Scattered around the lower portion of the canvas are circular forms with what appear to be mechanical details – gears or cogs – hinting at an industrial or technological context. These elements introduce a layer of complexity, suggesting a commentary on mechanization, perhaps even dehumanization.
The overall effect is one of psychological tension and fractured identity. The intense gaze of the eye, coupled with the disjointed form and the presence of mechanical components, evokes feelings of alienation and unease. It’s possible to interpret this as an exploration of the individuals place within a rapidly changing world, where traditional notions of self are challenged by forces beyond personal control. The work seems less concerned with depicting a specific person or event, and more focused on conveying a sense of psychological fragmentation and societal disruption.