1964 Jacqueline assise avec son chat Pablo Picasso (1881-1973) Period of creation: 1962-1973

The composition presents a seated figure accompanied by a feline companion. The woman occupies the central position, rendered in a stylized manner with elongated features and simplified forms characteristic of a particular artistic approach. Her gaze is directed forward, exhibiting a certain solemnity or introspection. She wears a blue garment that drapes loosely over her frame, contributing to an overall sense of quiet elegance.
The chair upon which she sits is depicted with angular lines and a somewhat fragmented quality, echoing the broader aesthetic choices made in representing the figure. The cat, nestled on her lap, is similarly simplified in form, its dark coloration providing a visual contrast against the woman’s attire.
The background is rendered in muted greens and yellows, creating an ambiguous spatial context that draws attention to the central subject matter. A handwritten inscription appears near the upper edge of the canvas, adding another layer of complexity to the works interpretation. The script itself seems somewhat hurried or spontaneous, suggesting a personal connection to the scene being portrayed.
Beyond the surface depiction, several subtexts emerge. The presence of the cat might symbolize domesticity and comfort, offering a counterpoint to the woman’s seemingly detached demeanor. The formal arrangement – the seated posture, the direct gaze – suggests a portrait intended not merely as a likeness but also as an exploration of character or psychological state. The fragmented style employed in rendering both figure and chair could be interpreted as a visual representation of fractured identity or a questioning of traditional representational modes. Ultimately, the painting invites contemplation on themes of solitude, composure, and the complexities inherent in human relationships.