1965 Le homard et le chat Pablo Picasso (1881-1973) Period of creation: 1962-1973

The composition presents a juxtaposition of two distinct creatures: a lobster and a cat. The lobster dominates the left side of the canvas, rendered in vibrant blues and whites with thick, visible brushstrokes that emphasize its segmented form and sharp claws. Its posture suggests a defensive or aggressive stance, as if poised to strike.
To the right, the cat is depicted in muted grays and browns, appearing more withdrawn and cautious. The artist has simplified its anatomy, reducing it to essential shapes – elongated limbs, a triangular head, and large, watchful eyes. It seems to be observing the lobster with a mixture of curiosity and apprehension.
The background is an ambiguous space composed of layered greens, yellows, and browns, creating a sense of depth without offering any clear spatial cues. This lack of grounding contributes to the dreamlike quality of the scene. A small area of red appears at the upper left corner, providing a contrasting color note that draws attention to the inscription in the top left corner.
The interaction between these two animals is not explicitly defined; they do not appear to be engaged in direct conflict or play. Instead, theres an underlying tension and a sense of unspoken narrative. The lobster’s assertive presence contrasts with the cat’s quiet observation, suggesting themes of power dynamics, vulnerability, and perhaps even predator-prey relationships transposed into a symbolic realm.
The use of color is significant. The bright blues of the lobster evoke feelings of intensity and potential danger, while the subdued tones of the cat convey a sense of restraint and caution. This contrast reinforces the differing roles these creatures play within the composition’s narrative.
Ultimately, the painting resists easy interpretation. It invites contemplation on themes of instinct, observation, and the complex relationships that exist between seemingly disparate entities. The artists deliberate ambiguity allows for multiple readings, making it a work rich in symbolic potential.