1969 Chouette Pablo Picasso (1881-1973) Period of creation: 1962-1973

The ceramic object presents a stylized depiction of an owl, rendered in earthy tones against a dark background. The artist has chosen a vertical format, emphasizing the birds height and creating a sense of monumentality despite its simplified form. The body is elongated and tapers towards a wider base, suggesting both stability and a certain awkwardness in posture.
The coloration primarily utilizes shades of beige, brown, and black, applied with broad brushstrokes that contribute to a textured surface. These marks are not intended for precise representation; instead, they evoke the patterns found on an owl’s plumage – the mottled browns and blacks characteristic of camouflage. The face is dominated by large, circular eyes, rendered in dark pigment, which convey a sense of alertness and perhaps even intensity.
The artist has deliberately distorted anatomical proportions. The head appears disproportionately small relative to the body, while the legs are simplified into rudimentary appendages. This simplification moves beyond mere representation towards an exploration of form and essence. It suggests a focus on the symbolic qualities of the owl rather than its literal appearance.
The dark background serves to isolate the object, intensifying its presence and highlighting the contrast between light and shadow. The absence of any surrounding context further contributes to this sense of isolation, prompting contemplation about the meaning behind the depicted creature. One might interpret this as a commentary on solitude, observation, or perhaps even wisdom – qualities often associated with owls in various cultural narratives.
The overall effect is one of quiet strength and understated symbolism. The work avoids overt sentimentality, instead offering a contemplative study of form, color, and the enduring power of animal imagery.